FOOTPRINTS ON THE ROOF

POEMS ABOUT THE EARTH

Nineteen poems, some rhymed, are paired with So’s (Countdown to Spring, p. 50, etc.) ink drawings. The poems are sometimes dry and sometimes didactic, but most are straightforward and occasionally giddy. So’s art is by turns whimsical, wild, or reticent. The title comes from “Burrows” a poem about the creatures that live under the “roof” of the earth: rabbits, foxes, snakes. The image of a dragon under the volcano in “Dormant Dragons” is beautifully realized as So turns wash and squiggle into the beast. “Winter Solstice” connects a wintry day in America with the first day of summer in Australia most charmingly. In “Go-Betweens”: “They issue warnings / They offer praise / This is trees’ work / and they do it with such uncomplaining grace / it never seems like work at all.” A swath of soft ink and a perfectly rendered rose reflect the turning of the year in “Summer Solstice”—“The richest garden / the greenest trees / will have a different form / wearing withered leaves like memories / of days when it was warm.” Esbensen’s venerable Cold Stars and Fireflies (1984) makes a nice accompaniment. (Poetry. 7-10)

Pub Date: Feb. 1, 2001

ISBN: 0-375-81094-3

Page Count: 48

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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AN EGRET’S DAY

Poetry and short informative paragraphs combine to celebrate both the elegance and the natural history of the American egret. Haiku, free verse, rhyming couplets and even a limerick are just some of the forms Yolen masterfully uses to engage readers on both aesthetic and scientific levels. Gorgeous photography completes this carefully designed literary science piece with scenes of the egret’s daily life. Stemple captures the egret’s movements as the light of each part of the day, from the yellow-orange glow of sunrise to midday pink to late afternoon sunset blue to evening purple, is reflected on its snow-white feathers. Both the poetry and the brief fact-filled vignettes explain how egrets walk, eat, fly and preen and how their plumes, so lace-like, were once coveted for decorating clothes and hats. A final poem muses on the future of this great wading bird in a country filled with polluted wetlands. A stunning combination of scientific and ecological knowledge offered through a graceful fusion of lyrical and visual media. (Informational picture book/poetry. 8-10)

Pub Date: Jan. 15, 2010

ISBN: 978-1-59078-650-5

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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OTHER GOOSE

RE-NURSERIED AND RE-RHYMED CHILDREN'S CLASSICS

“Little boy blue / come blow your tuba. / The sheep are in Venice, / and the cow’s in Aruba.” Pairing frenetic and garishly colored art to familiar rhymes in “more modern, more fresh, and well…more Goosian” versions, Seibold stakes out Stinky Cheese Man territory to introduce “Jack and Jill / and a pickle named Bill,” the Old Woman Who Lived in a Sneaker (“She had a great big stereo speaker”), Peter Pumpkin Pickle Pepper and about two dozen more “re-nurseried” figures. Against patterned or spray-painted backgrounds, an entire page of umbrella-carrying raindrops float down, a bunch of mice run up (“the clock struck one; / the rest had fun”), cats fiddle for Old King Coal and others, Jack B. Nimble makes a lifelong career out of demonstrating his one trick and a closing rendition of the counting rhyme “One, Two, I Lost My Shoe” is transformed into a clever reprise as many of the characters return to take final bows. Sparkles on the cover; chuckles (despite some lame rhyming) throughout. (Fractured nursery rhymes. 7-9)

Pub Date: Oct. 1, 2010

ISBN: 978-0-8118-6882-2

Page Count: 80

Publisher: Chronicle Books

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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