The clever ending is a yee-haw moment that will rope in readers as quick as tumbling tumbleweeds.

ALICE FROM DALLAS

Grab your cowboy hat and boots and saddle up for one rootin’, tootin’ story featuring Alice from Dallas.

Dallas, Pa., that is. Every day Alice rides her pony (the wooden kind) to school and entertains her class with tales of the Wild West. She reckons she’s “the only cowgirl in all of Pennsylvania.” That is, until Lexis, a “real” cowgirl from Texas, comes to town and treads on Alice’s turf. There’s bound to be a showdown between the two girls—at noon, of course, on the playground. While Lexis acts out a stagecoach holdup and throws a lasso better, Alice challenges by dancing a sprightly Texas two-step. When Lexis tries to show her up by duplicating the twirling moves, she falls down and hurts her foot. The next day, Alice feels guilty and visits Lexis to say she’s sorry. Each girl acknowledges the other’s skill, and it turns out that two cowgirls are better than one. The comic watercolor-and-ink illustrations don’t miss a beat in capturing the amusing rivalry that turns into friendship. Pigtailed Alice sports plaid shirts and jeans; blonde Lexis is a sparklier sort—a rhinestone cowgirl, if you will—who dresses down with a Lone Star T-shirt.

The clever ending is a yee-haw moment that will rope in readers as quick as tumbling tumbleweeds. (Picture book. 4-8)

Pub Date: March 11, 2014

ISBN: 978-1-4197-0790-2

Page Count: 40

Publisher: Abrams

Review Posted Online: Jan. 22, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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