A pivotal moment in a child’s life, handled with grace and sensitivity rather than conflict or ineffective lecturing.

THE DINOSAUR EXPERT

From the Mr. Tiffin's Classroom series

Timely intervention keeps a young science enthusiast’s career ambitions on the rails in this fourth outing for Mr. Tiffin’s class.

A born naturalist (“She even collected owl pellets. And she took them apart”), Kimmy eagerly shares her knowledge about dinosaurs and fossils on a trip to the museum—until she’s silenced by classmate Jake’s disparaging remark that “girls aren’t scientists.” No sooner does her perspicacious teacher spot her sudden change, though, than he leads her to a specimen of Gasparinisauria, a dinosaur named, she reads, in honor of paleontologist Zulma Nélida Brandoni de Gasparini. Even Jake admits that that is “awesome,” and for the rest of the visit Kimmy becomes a positive fount of information about raptor toes, Stegosaurus brains, and other dinosaur lore. “When I grow up,” Kimmy declares, “I want to be just like her.” Mr. Tiffin’s “I think you already are,” cements the teachable moment. Kimmy, her teacher, and Jake are white, but along with capturing his characters’ changing moods and responses with artfully angled faces and other body language, Karas portrays the rest of the class with diverse features and skin tones. A gallery of women paleontologists of the past and present makes an apt closer.

A pivotal moment in a child’s life, handled with grace and sensitivity rather than conflict or ineffective lecturing. (Picture book. 6-9)

Pub Date: July 17, 2018

ISBN: 978-0-553-51143-7

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: March 27, 2018

Kirkus Reviews Issue: April 15, 2018

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In spite of the book’s flaws, dragons are very appealing, and tales for young audiences that model the scientific method are...

DRAGONS AND MARSHMALLOWS

From the Zoey and Sassafras series , Vol. 1

Zoey discovers that she can see magical creatures that might need her help.

That’s a good thing because her mother has been caring for the various beasts since childhood, but now she’s leaving on a business trip so the work will fall to Zoey. Most people (like Zoey’s father) can’t see the magical creatures, so Zoey, who appears in illustrations to be black, will have to experiment with their care by problem-solving using the scientific method to determine appropriate treatment and feeding. When a tiny, sick dragon shows up on her doorstep, she runs an experiment and determines that marshmallows appear to be the proper food. Unfortunately, she hadn’t done enough research beforehand to understand that although dragons might like marshmallows, they might not be the best food for a sick, fire-breathing baby. Although the incorporation of important STEM behaviors is a plus, the exposition is mildly clunky, with little character development and stilted dialogue. Many pages are dense with large-print text, related in Zoey’s not especially childlike voice. However, the inclusion in each chapter of a couple of attractive black-and-white illustrations of round-faced people and Zoey’s mischievous cat helps break up the narrative.

In spite of the book’s flaws, dragons are very appealing, and tales for young audiences that model the scientific method are nice to see. (Fantasy. 6-9)

Pub Date: March 14, 2017

ISBN: 978-1-943147-08-3

Page Count: 96

Publisher: The Innovation Press

Review Posted Online: Dec. 19, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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A visually striking, compelling recollection.

FROM THE TOPS OF THE TREES

The author recounts a formative childhood experience that continues to inspire her today.

Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5415-8130-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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