A welcome debut that will leave readers eager for a successor—and soon.



Intensely candid debut memoir by illustrator and writer Kimball.

“The Secret,” the opening act of the book, pairs a charming illustrative style, marked by bold-line geometries and little handwritten pointers (“Essential sandwich ingredients,” “Weird, secret storage room”), with a startling first sentence: “My mom was thirty-one when she decided to take her own life.” That desperate act sets in motion the collapse of a seemingly ordinary family—though, of course, no family is truly ordinary. Of course, the suicide attempt, born of unsuccessfully managed bipolar disorder, clouded the lives of Kimball and her siblings, who were very young when it occurred. In adulthood, the author has tried to puzzle out events. “What I wanted,” she writes, “is to clear away the muck: to point to a date on a calendar and say this led to that; to watch a video and deconstruct the moments that led to our family’s collapse and its aftermath.” That aftermath included institutionalization, disintegration, and recrimination. As Kimball writes, her sensitivity finely attuned, it took her time to realize that exploring her mother’s psyche would force her still-living mother to “scratch at a wound that’s probably been open since childhood.” Just as sensitively, the author examines the effects of divorce on uncomprehending children and, more damagingly, the endless psychological battles surrounding custody. In the blended household in which she landed, her new family soon “began to splinter along biological lines,” with blood siblings forming alliances in what would become a long cold war. Kimball is never shy to point the finger at herself, recognizing her anger that her mother’s illness forced her to witness “the fact that she transformed from parent to stranger.” The drama grows with the emerging recognition that her mother is not the only member of the family to suffer from mental illness. It’s an extraordinarily honest look at life behind closed suburban doors—and with a sublimely redemptive conclusion.

A welcome debut that will leave readers eager for a successor—and soon.

Pub Date: April 20, 2021

ISBN: 978-0-06-300744-4

Page Count: 288

Publisher: HarperOne

Review Posted Online: Jan. 21, 2021

Kirkus Reviews Issue: Feb. 15, 2021

Did you like this book?

No Comments Yet

A conversational, pleasurable look into McConaughey’s life and thought.

Reader Votes

  • Readers Vote
  • 17

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

A virtuoso performance and an ode to an undervalued medium created by two talented artists.



The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Did you like this book?

No Comments Yet