by Margaret Hodges & illustrated by Barry Moser ‧ RELEASE DATE: Nov. 1, 2006
Hodges retells some of the key events from the life of Moses in a well-written, fluid style that makes the ancient stories come alive for young readers or listeners. The introduction establishes why the Hebrews were in Egypt, leading to the story of Moses in his basket in the river and his discovery by the Pharaoh’s daughter. The story of his life continues in chronological fashion through the ten plagues of Egypt and the Exodus. After the parting of the Red Sea and the return to Canaan, the rest is condensed into just one page, leaving out the story of the Golden Calf, the breaking of the tablets and the Covenant with the Jewish people. The final spread shows the stone tablets with the commandments in ancient Hebrew next to the commandments in English and in modern Hebrew. Moser’s full-page watercolor illustrations on every other page create a strong visual personality for Moses as he ages from confident prince to elderly prophet. (Nonfiction. 6-10)
Pub Date: Nov. 1, 2006
ISBN: 0-15-200946-9
Page Count: 32
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S RELIGION
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by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 3, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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by Willie Perdomo & illustrated by Bryan Collier ‧ RELEASE DATE: Feb. 1, 2001
A little girl is going with her daddy to visit the home of Langston Hughes. She too is a poet who writes about the loves of her life—her mommy and daddy, hip-hop, hopscotch, and double-dutch, but decidedly not kissing games. Langston is her inspiration because his poems make her “dreams run wild.” In simple, joyful verse Perdomo tells of this “Harlem girl” from “Harlem world” whose loving, supportive father tells her she is “Langston’s genius child.” The author’s own admiration for Hughes’s artistry and accomplishments is clearly felt in the voice of this glorious child. Langston’s spirit is a gentle presence throughout the description of his East 127th Street home and his method of composing his poetry sitting by the window. The presentation is stunning. Each section of the poem is part of a two-page spread. Text, in yellow, white, or black, is placed either within the illustrations or in large blocks of color along side them. The last page of text is a compilation of titles of Hughes’s poems printed in shades of gray in a myriad of fonts. Collier’s (Martin’s Big Words, 2001, etc.) brilliantly complex watercolor-and-collage illustrations provide the perfect visual complement to the work. From the glowing vitality of the little girl, to the vivid scenes of jazz-age Harlem, to the compelling portrait of Langston at work, to the reverential peak into Langston’s home, the viewer’s eye is constantly drawn to intriguing bits and pieces while never losing the sense of the whole. In this year of Langston Hughes’s centennial, this work does him great honor. (Poetry. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-8050-6744-2
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Categories: CHILDREN'S POETRY | CHILDREN'S BIOGRAPHY & MEMOIR
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