A well-researched pleasure for die-hard Haggard fans.

THE HAG

THE LIFE, TIMES, AND MUSIC OF MERLE HAGGARD

A revealing biography of country music star and lifelong contrarian Merle Haggard (1937-2016).

Raised among the oil fields of central California, he was constantly in trouble with the law as a young man, locked up in San Quentin when Johnny Cash gave a celebrated concert to the inmates. Suddenly aware that he could pursue a career in music, Haggard hit the road with songs about the life he knew, all swinging barroom doors and jailhouse floors. Eliot, who has written books about Bruce Springsteen, Phil Ochs, and the Eagles, among others, can be a trifle overblown: “I was constantly reminded of how Shakespearean the drama of his life was, how his early years echoed those of a young Hamlet, who suffers the premature death of the father he keeps alive in his dreams, dreams that produced an unshakable rage that warps the love he has for his mother and drives him to commit self-destructive acts.” Still, he turns up aspects of Haggard’s life and career that haven’t been well documented, including his wife’s terrible death from Alzheimer’s and his friendship with a kid who definitely did smoke marijuana while turning millions of hippies on to Haggard’s music: Gram Parsons. “He doesn’t hate long-haired people, or even moderately dislike them,” said Parsons to a Rolling Stone reporter. “He’s a nice, sweet cat.” Haggard could turn sweetness into ire but mostly for good reason, as when Bob Dylan (perhaps inadvertently) dissed him and the Nashville industry dumped him, Cash, and countless other classic country acts from the rosters in favor of new pop-country idols. Never an insider, Haggard easily took to the outlaw role. However, as Eliot shows, he was also appreciative of both the performers who had come before him and contemporaries like Dylan, Paul McCartney, and the Rolling Stones along with Cash, Owens, Jones, and his country peers.

A well-researched pleasure for die-hard Haggard fans.

Pub Date: Jan. 11, 2022

ISBN: 978-0-306-92321-0

Page Count: 464

Publisher: Hachette

Review Posted Online: Nov. 13, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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