A delectable delight daring readers to embrace the 80,000 species of Earth’s edible plants.

TRY IT!

HOW FRIEDA CAPLAN CHANGED THE WAY WE EAT

Baby corn? Seedless watermelons? Purple potatoes? Who’d eat that?

Frieda Caplan was the plucky produce promoter who mainstreamed much of the world’s delicacies and innovative hybrids into the American kitchen. Starting her own eponymous company—Frieda’s—in 1962, she ensured that her reputation was made in what was then an all-male wholesale produce business. Almost nothing was too far-out for Frieda; after all, spaghetti squash was just one more recipe card in search of a convert. However, even Frieda was stumped with the Chinese gooseberry—but sales took off after she renamed it a kiwi. Anyone who bites into a crunchy jicama or a fiery habanero purchased from a supermarket can thank the adventurous taste buds of this pioneering greengrocer. Rockliff’s snappy sentences and rollicking alliteration make this a fun read-aloud: “Farmers dug for tips on what to grow. Cooks peppered her with questions”; “mounds of mongosteen, heaps of jicama, and quantities of quince.” Potter’s signature flat palette gives way to bright purples, brilliant reds, and crisp greens. The retro illustrations follow Frieda from her entry into a marketplace filled with “boxes of bananas. Piles of potatoes. Truckloads of tomatoes” to a consumer wonderland filled with boxes of donut peaches and cherimoyas. Frieda, a Jewish Angeleno, presents White; people of color appear as both fellow wholesalers and customers. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at actual size.)

A delectable delight daring readers to embrace the 80,000 species of Earth’s edible plants. (author's note; bibliography) (Informational picture book. 5-10)

Pub Date: Jan. 12, 2021

ISBN: 978-1-5344-6007-2

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

Did you like this book?

No Comments Yet

Sage, soothing ideas for a busy, loud, sometimes-divisive world.

GRANDMA'S GARDENS

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Did you like this book?

No Comments Yet

Blandly laudatory.

I AM WALT DISNEY

From the Ordinary People Change the World series

The iconic animator introduces young readers to each “happy place” in his life.

The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.

Blandly laudatory. (bibliography) (Picture book/biography. 6-8)

Pub Date: Sept. 10, 2019

ISBN: 978-0-7352-2875-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

Did you like this book?

more