The human capacity to reach out to those who suffer is lovingly and inspiringly rendered. (Picture book. 4-8)

MY HEART WILL NOT SIT DOWN

A moment of communal compassion is remembered in this fictionalized retelling of a too-little-known tale.

When little Kedi learns from her Cameroon village’s teacher that the people of New York are starving thanks to the Great Depression, she can’t get the problem out of her head. Determined to help the hungry children overseas, Kedi appeals to all the people of her village, only to be rebuffed. No one has enough money to pay the colonial head tax, let alone spare riches for an unknown poor. Downcast, Kedi returns to school, only to discover that her efforts to open the hearts of her neighbors have worked beyond her wildest hopes. Rockliff’s recap of this true 1931 incident taps into the wonder of altruism toward total strangers. An author's note explaining not just the story’s background but also similar historical incidents proves to be almost more fascinating than the book itself. All this is accompanied by Tanksley’s lush, vibrantly colored paintings, which take seemingly simple images and render them big, beautiful and bold. They make what might otherwise be a rote story lush.

The human capacity to reach out to those who suffer is lovingly and inspiringly rendered. (Picture book. 4-8)

Pub Date: Jan. 10, 2012

ISBN: 978-0-375-84569-7

Page Count: 40

Publisher: Knopf

Review Posted Online: Nov. 9, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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Both a beautiful celebration of black culture and an excellent first black history book for young children.

BLACK IS A RAINBOW COLOR

A young black child ponders the colors in the rainbow and a crayon box and realizes that while black is not a color in the rainbow, black culture is a rainbow of its own.

In bright paints and collage, Holmes shows the rainbow of black skin tones on each page while Joy’s text describes what “Black is” physically and culturally. It ranges from the concrete, such as “the braids in my best friend’s hair,” to the conceptual: “Black is soft-singing, ‘Hush now, don’t explain’ ”—a reference to the song “Don’t Explain” made popular by Billie Holiday and Nina Simone, the former depicted in full song with her signature camellia and the latter at her piano. Joy alludes throughout the brief text to poetry, music, figures, and events in black history, and several pages of backmatter supply the necessary context for caregivers who need a little extra help explaining them to listeners. Additionally, there is a playlist of songs to accompany reading as well as three poems: “Harlem,” by Langston Hughes, and “We Wear the Mask” and “Sympathy,” by Paul Laurence Dunbar. The author also includes a historical timeline describing some of the names that have been used to describe and label black people in the United States since 1619.

Both a beautiful celebration of black culture and an excellent first black history book for young children. (Picture book. 4-8)

Pub Date: Jan. 14, 2020

ISBN: 978-1-62672-631-4

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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This reimagined telling has an engaging charm that rings true.

KAFKA AND THE DOLL

An imagining of an unlikely real-life episode in the life of absurdist Franz Kafka.

Theule follows the outline of the account: When Kafka meets an unhappy girl in a Berlin park in 1923 and learns her doll is lost, Kafka writes a series of letters from Soupsy, the doll, to Irma, the girl. The real letters and the girl’s identity have been lost to history; the invented letters describe a dazzling variety of adventures for Soupsy. Unfortunately, as the letters increase in excitement, Kafka’s health declines (he would die of tuberculosis in June 1924), and he must find a way to end Soupsy’s adventures in a positive way. In an author’s note, readers learn that Kafka chose to write that Soupsy was getting married. Theule instead opts to send the doll on an Antarctic expedition. Irma gets the message that she can do anything, and the final image shows her riding a camel, a copy of Metamorphosis peeking from a satchel. While kids may not care about Kafka, the short relationship between the writer and the little girl will keep their interest. Realizing that an adult can care so much about a child met in the park is empowering. The stylized illustrations, especially those set in the chilly Berlin fall, resemble woodcuts with a German expressionist look. The doll’s adventures look a little sweeter, with more red and blue added to the brown palette of the German scenes. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 23% of actual size.)

This reimagined telling has an engaging charm that rings true. (biographical note, bibliography) (Picture book. 5-7)

Pub Date: March 9, 2021

ISBN: 978-0-593-11632-6

Page Count: 48

Publisher: Viking

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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