Poets Browne (Black Girl Magic, illustrated by Jess X. Snow, 2018), Acevedo (The Poet X, 2018), and Gatwood (Life of the Party, 2019) team up to offer a collection that calls young readers to awareness and justice.
Browne’s introduction explains what it means to be woke—“aware of your surroundings”—and connects this awareness to historical movements for justice, stating, “this is where our freedom begins.” The poems are assigned subject headings located next to the page numbers, in nearly alphabetical order, for easy access when flipping through this slim volume for inspiration. Some poems cover quiet topics that nourish individuals and relationships, such as body positivity, forgiveness, individuality, and volunteerism. Other poems are louder, calling for lifted voices. In “Activism, Everywhere,” Browne writes, “It is resisting to be comfortable / When we all have yet to feel safe and free”; her protest poem, titled “Right To, After Claude McKay,” powerfully echoes McKay’s historic verses while reversing the premise: “If we must live, let it not be in silence.” A resistance poem by Acevedo urges readers to “Rock the Boat,” and Gatwood’s poem on privilege asks, “What’s in My Toolbox?” Identity issues are covered too, with poems on disability, gender, immigration, and intersectionality. Each of the 24 poems is an irresistible invitation to take up space in community and in society, and each is eminently recitable, taking its own place in the spoken-word tradition. Taylor’s bold and colorful illustrations complement the poems without distracting from their power; Jason Reynolds contributes a foreword.
Read it; gift it; use it to challenge, protect, and grow. (Picture book/poetry. 8-18)Pub Date: March 10, 2020
ISBN: 978-1-250-31120-7
Page Count: 56
Publisher: Roaring Brook
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: March 1, 2020
Categories: CHILDREN'S POETRY
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PERSPECTIVES
From snapping shrimp with bubble-shooting claws to the Osedax worm that digests whalebones on the ocean floor, intriguing and unusual sea creatures are introduced in this collection of 18 engaging poems written in a variety of forms. A paragraph or two of identification and explanation follow each poem. This attractive small volume is illustrated with hand-colored linoleum block prints set on a blue-green background that darkens page by page as the reader descends. “Dive In!” introduces the habitat, and, on the last page, “Hooray for the Sea and the ROV” celebrates the ocean and the vehicles humans use to explore its deepest parts. One piece calls for two voices, a leopard sea cucumber and an emperor shrimp. Shape poems introduce the violet snail and a swarm of krill. These poems lend themselves to reading aloud, and many are short and catchy enough to be easily memorized. Concluding with a helpful glossary, a clear explanation of the poetic forms that points out rhymes, patterns and beats, suggested further resources and acknowledgements, this is an ideal title for cross-curricular connections. This gathering of humorous poetry and fascinating facts should be welcomed as a companion to Bulion and Evans’ previous collaboration, Hey There, Stink Bug! (2006)—even the surprise among the school of krill on the endpapers will make readers smile. (Informational poetry. 8-12)
Pub Date: April 1, 2011
ISBN: 978-1-56145-565-2
Page Count: 48
Publisher: Peachtree
Review Posted Online: April 7, 2011
Kirkus Reviews Issue: March 1, 2011
Categories: CHILDREN'S ANIMALS | CHILDREN'S POETRY
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In the fifth installment of the illuminating Poetry for Kids series, the spotlight shifts from U.S. luminaries—Dickinson, Whitman, Sandburg, Frost—across the Atlantic to perhaps the most famous writer of English.
Again pairing an accomplished academician with a gifted illustrator, the resulting collection features 31 poetic selections curated by Shakespearean scholar Tassi (English, Univ. Nebraska-Kearney) and accompanied by atmospheric artwork from Spanish illustrator López. Though the Shakespearean oeuvre contains 154 sonnets and some longer poems, speeches from his plays dominate Tassi’s carefully crafted portrait, highlighting many famous reflections on love and desire, calls to arms, and musings on power. Interestingly, one must look to the volume’s explanatory “What William Was Thinking” section to learn not only the dramatic context behind, for example, “Friends, Romans, countrymen, lend me your ears,” from Julius Caesar, but why Mark Antony’s observation that “The evil that men do lives after them; / The good is oft interred with their bones” carries such weight. More immediately, alongside Macbeth’s timeless “To-morrow, and to-morrow, and to-morrow” soliloquy, López’s eerie and evocative visualization wonderfully sketches the outline of the stages of life being alluded to in the smoky vapor of a snuffed-out candle. Shakespeare’s intricate syntax and Elizabethan vocabulary will warrant additional coaching for younger readers, facilitated by marginal notes.
An enticing entree to the glories of Shakespeare’s verse. (index) (Picture book/poetry. 10-14)Pub Date: April 3, 2018
ISBN: 978-1-63322-504-6
Page Count: 48
Publisher: Moondance/Quarto
Review Posted Online: March 5, 2018
Kirkus Reviews Issue: March 15, 2018
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S POETRY
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