END OF THE DRIVE

The late, great, vastly prolific L'Amour (Jubal Sackett, 1985, etc.) rides again, with a recently discovered never-before-seen novella and sheaf of stories. Most of the tales feature Homeric diction and wonderful hooks. ``Caprock Rancher'' begins: ``When I rode up to the buffalo wallow, Pa was lying there with his leg broke and his horse gone.'' ``Desperate Men'' opens with: ``They were four desperate men, made hard by life, cruel by nature, and driven to desperation by imprisonment. Yet the walls of Yuma Prison were strong and the rifle skill of the guards unquestioned, so the prison held many desperate men besides these four. And when prison walls and rifles failed, there was the desert, and the desert never failed.'' That's a big, gritty voice at work, lifting melodrama to the heavens of storytelling. And, for the most part, these stories cleave to that voice throughout. ``Caprock Rancher'' tells of a 17-year-old who must rescue $20,000 from three toughs who have found it, although it belongs to several poor ranchers back home who've trusted the boy and his father to take their cattle to market. ``Desperate Men'' follows four prisoners who escape from Yuma Prison during an earthquake and flee into the desert with an Army payroll. Their greed is as much against them as the sun. In the title tale, a young man who heads a cattle drive finds wooing a beautiful woman to be more fraught with difficulty (and danger) than life on the trail. And in the superbly burnished novella, ``Rustler Roundup,'' the Laird Valley cattle war pits some smart rustlers, who want to grab Finn Mahone's herd and acres, against an even smarter hero. As ever, L'Amour's characters distinguish themselves from run-of-the- mill westerners by the hard thud of their boots on soil and the worn leather ease of their dialogue. Awesome immediacy, biting as creosote slapped on a fencepost.

Pub Date: June 1, 1997

ISBN: 0-553-10648-1

Page Count: 256

Publisher: Bantam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1997

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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