A picture book centering a young emigrant’s journey as well as her homecoming.
Unlike conventional or traditional narratives that launch immigrant characters on one-way passages and their accompanying plots along linear trajectories, this focused family story illustrates modern migration by choice as an evolving tale of round trips through conscious reconnections with one’s origins. The young protagonist moves from Taiwan to San Diego and learns English at school while staying connected with Popo, the grandmother who stayed in Taiwan, via video chats. As time passes, linguistic barriers blur along with ongoing transitions between cultures and geographies: A once-fluent vernacular recedes to accommodate new sounds and expressions until the child even dreams of Popo speaking English. Sympathetic, gentle treatments of aging and illness convey life’s inevitabilities with a loving imagination steeped in the scent of sweet osmanthus. Faithful representations of Chinese-language signage, street scenes, and cityscapes evoke nostalgia for those familiar with Taiwan and its vibrant food culture. Whimsical depictions of Chinese New Year at home and Popo’s kitchen are authentic, down to the accurate details on a calendar, dumpling making from scratch, and the iconic rice cooker. Readers will connect with this visual story on various levels or learn something new; possibly both. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
#Ownvoices tributes to childhood memories of home: It is as much an emotional space as a physical place. (author’s note, illustrator’s note, glossary) (Picture book. 3-6)Pub Date: Jan. 5, 2021
ISBN: 978-1-250-24931-9
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Nov. 18, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Categories: CHILDREN'S FAMILY | CHILDREN'S SOCIAL THEMES
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Empathetic art and lyrical text blend for a touching and empowering tale.
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The latest book in the Questioneer series centers an African American boy who has dyslexia.
Roberts’ characteristic cartoon illustrations open on a family of six that includes two mothers of color, children of various abilities and racial presentations, and two very amused cats. In a style more expressive and stirring than other books in the series, Beaty presents a boy overcoming insecurities related to reading comprehension. Like Harlem Renaissance artist Aaron Douglas, the boy’s namesake, the protagonist loves to draw. More than drawing, however, young Aaron wishes to write, but when he tries to read, the letters appear scrambled (effectively illustrated with a string of wobbly, often backward letters that trail across the pages). The child retreats into drawing. After an entire school year of struggle, Aaron decides to just “blend in.” At the beginning of the next school year, a writing prompt from a new teacher inspires Aaron, who spends his evening attempting to write “a story. Write something true.” The next day in class, having failed to put words on paper, Aaron finds his voice and launches into a story that shows how “beauty and kindness and loving and art / lend courage to all with a welcoming heart.” In the illustration, a tableau of colorful mythological beings embodies Aaron’s tale. The text is set in a dyslexia-friendly type. (This book was reviewed digitally.)
Empathetic art and lyrical text blend for a touching and empowering tale. (author's note, illustrator's note) (Picture book. 5-8)Pub Date: Nov. 2, 2021
ISBN: 978-1-4197-5396-1
Page Count: 40
Publisher: Abrams
Review Posted Online: Oct. 13, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Categories: CHILDREN'S SOCIAL THEMES
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The author recounts a formative childhood experience that continues to inspire her today.
Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.
A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)Pub Date: Oct. 5, 2021
ISBN: 978-1-5415-8130-2
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: June 29, 2021
Kirkus Reviews Issue: July 15, 2021
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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A deliciously sweet reminder to try one’s unique best.
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This smart cookie wasn’t alwaysa smart cookie.
At the corner of Sweet Street stands a bakery, which a whole range of buns and cakes and treats calls home, including a small cookie who “didn’t feel comfortable speaking up or sharing” any ideas once upon a time. During the early days of gingerbread school, this cookie (with sprinkles on its top half, above its wide eyes and tiny, smiling mouth) never got the best grades, didn’t raise a hand to answer questions, and almost always finished most tests last, despite all best efforts. As a result, the cookie would worry away the nights inside of a cookie jar. Then one day, kind Ms. Biscotti assigns some homework that asks everyone “to create something completely original.” What to do? The cookie’s first attempts (baking, building a birdhouse, sculpting) fail, but an idea strikes soon enough. “A poem!” Titling its opus “My Crumby Days,” the budding cookie poet writes and writes until done. “AHA!” When the time arrives to share the poem with the class, this cookie learns that there’s more than one way to be smart. John and Oswald’s latest installment in the hilarious Food Group series continues to provide plenty of belly laughs (thanks to puns galore!) and mini buns of wisdom in a wholly effervescent package. Oswald’s artwork retains its playful, colorful creative streak. Although slightly less effective than its predecessors due to its rather broad message, this one’s nonetheless an excellent addition to the menu.(This book was reviewed digitally.)
A deliciously sweet reminder to try one’s unique best. (Picture book. 4-8)Pub Date: Nov. 2, 2021
ISBN: 978-0-06-304540-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 24, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Categories: CHILDREN'S SOCIAL THEMES
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