Taut pacing and complicated characters shape this rich examination of the modern family.

THE THIRD WIFE

British bestseller Jewell's last few novels have been a revelation—emotionally sophisticated and complex—and this latest, which gradually rewrites the history of a "perfect" family, is a fine follow-up.

Late one night, alone and uncharacteristically drunk, 30-year-old Maya is hit by a London bus. Was it an accident? Suicide? Her husband, Adrian, can't imagine why his sweet Maya would want to kill herself, but as the novel unfolds, cracks are revealed in his perfect family. An architect pushing 50, Adrian Wolfe is a lovely man, as everyone agrees. His first wife, Susie, mother of the gregarious Cat and pretentious Luke, both in their 20, holds no hard feelings that he left her in the country for a glamorous London life with the chic Caroline. Caroline lives in their stunningly restored Islington townhouse with their three children, all under 12, Otis, Pearl, and Beau. When, four years ago, Adrian left Caroline for Maya, he made every effort to keep the family intact—all of them holiday together (three wives, five children) and happily share custody. Or so Adrian insists to anyone who asks. When a strange woman begins stalking him, and Luke finds threatening emails addressed to Maya on her laptop, Adrian begins to investigate. In flashbacks from Maya's perspective, another side of the Wolfe family is revealed—she feels like an interloper, childless in a family where children are totems, and is slowly disintegrating from the onslaught of anonymous emails (though she knows they must be from a family member—the missives are too intimate and immediate to have been written by anyone else). Most damning of all, she finds herself falling in love with the family's other outsider, Luke. Adrian is convinced the woman stalking him has answers, if only he can track her down. Although it is certain no one literally pushed Maya into that bus, Jewell shapes the novel as part whodunit, part psychological thriller: Maya was excised from the family, but why and by whom?

Taut pacing and complicated characters shape this rich examination of the modern family.

Pub Date: June 9, 2015

ISBN: 978-1-4767-9218-7

Page Count: 352

Publisher: Atria

Review Posted Online: April 2, 2015

Kirkus Reviews Issue: April 15, 2015

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once...

DELIVER US FROM EVIL

In Baldacci’s 19th (True Blue, 2009, etc.), boy and girl monster-hunters meet cute.

Evan Waller, aka Fadir Kuchin, aka “the Butcher of Kiev,” aka “the Ukrainian psychopath,” is one of those deep-dyed villains a certain kind of fiction can’t do without. Serving with distinction as part of the Soviet Union’s KGB, he joyfully and indiscriminately killed thousands. Now, many years later, posing as a successful businessman, he’s vacationing in Provence where, unbeknownst to him, two separate clandestine operations are being mounted by people who do not regard him with favor. Reggie Campion—28 and gorgeous—spearheads the first, an ad hoc group of monster-hunting vigilantes. Studly, tall Shaw (no first name supplied) is point guard for a rival team, shadowy enough to leave the matter of its origin ambiguous. While their respective teams reconnoiter and jockey for position, studly boy meets gorgeous girl. Monster-hunters are famous for having trust issues, but clearly these are drawn to each other in the time-honored Hollywood fashion. Shaw saves Reggie’s life. She returns the favor. The attraction deepens and heats up to the point where team-members on both sides grow unsettled by the loss of focus, singularly inopportune since, as monsters go, Waller rises to the second coming of Caligula—ample testimony furnished by a six-page, unsparingly detailed torture scene. In the end, the stalkers strike, bullets fly, screams curdle the blood, love has its innings and a monster does what a monster’s got to do.

The characters are paper thin, the plot twists mostly telegraphed, but the betting here is that the Baldacci army will once again show the stuff it’s made of.

Pub Date: April 20, 2010

ISBN: 978-0-446-56408-3

Page Count: 416

Publisher: Avon A/HarperCollins

Review Posted Online: Feb. 4, 2011

Kirkus Reviews Issue: April 15, 2010

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