The bird’s-eye view into this pivotal moment provides a powerful story, one that adults will applaud—but between the...

MIDNIGHT WITHOUT A MOON

The ugly brutality of the Jim Crow South is recounted in dulcet, poetic tones, creating a harsh and fascinating blend.

Fact and fiction pair in the story of Rose Lee Carter, 13, as she copes with life in a racially divided world. It splits wide open when a 14-year-old boy from Chicago named Emmett Till goes missing. Jackson superbly blends the history into her narrative. The suffocating heat, oppression, and despair African-Americans experienced in 1955 Mississippi resonate. And the author effectively creates a protagonist with plenty of suffering all her own. Practically abandoned by her mother, Rose Lee is reviled in her own home for the darkness of her brown skin. The author ably captures the fear and dread of each day and excels when she shows the peril of blacks trying to assert their right to vote in the South, likely a foreign concept to today’s kids. Where the book fails, however, is in its overuse of descriptors and dialect and the near-sociopathic zeal of Rose Lee's grandmother Ma Pearl and her lighter-skinned cousin Queen. Ma Pearl is an emotionally remote tyrant who seems to derive glee from crushing Rose Lee's spirits. And Queen is so glib and self-centered she's almost a cartoon.

The bird’s-eye view into this pivotal moment provides a powerful story, one that adults will applaud—but between the avalanche of old-South homilies and Rose Lee’s relentlessly hopeless struggle, it may be a hard sell for younger readers. (Historical fiction. 10-12)

Pub Date: Jan. 3, 2017

ISBN: 978-0-544-78510-6

Page Count: 320

Publisher: HMH Books

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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However tried and true, the Harry Potter–esque elements and set pieces don’t keep this cumbersome coming-of-age tale afloat,...

EXILE

From the Keeper of the Lost Cities series , Vol. 2

Full-blown middle-volume-itis leaves this continuation of the tale of a teenage elf who has been genetically modified for so-far undisclosed purposes dead in the water.

As the page count burgeons, significant plot developments slow to a trickle. Thirteen-year-old Sophie manifests yet more magical powers while going head-to-head with hostile members of the Lost Cities Council and her own adoptive elvin father, Grady, over whether the clandestine Black Swan cabal, her apparent creators and (in the previous episode) kidnappers, are allies or enemies. Messenger tries to lighten the tone by dressing Sophie and her classmates at the Hogwarts-ian Foxfire Academy as mastodons for a silly opening ceremony and by having her care for an alicorn—a winged unicorn so magnificent that even its poop sparkles. It’s not enough; two sad memorial services, a trip to a dreary underground prison, a rash of adult characters succumbing to mental breakdowns and a frequently weepy protagonist who is increasingly shunned as “the girl who was taken” give the tale a soggy texture. Also, despite several cryptic clues and a late attack by hooded figures, neither the identity nor the agenda of the Black Swan comes closer to being revealed.

However tried and true, the Harry Potter–esque elements and set pieces don’t keep this cumbersome coming-of-age tale afloat, much less under way. (Fantasy 10-12)

Pub Date: Oct. 1, 2013

ISBN: 978-1-4424-4596-3

Page Count: 576

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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A work of heavy, realistic fiction told with oddball humor, honesty, and heart.

I'M OK

When Korean-American Ok Lee loses his father in a construction accident, he and his mom must fend for themselves financially while quietly grieving.

Middle schooler Ok watches as his mother takes on multiple jobs with long hours trying to make ends meet. Determined to help, he sets his sights on his school’s talent show. The winner takes home $100 in cash, enough to pay the utilities before they get cut off. His search to find a bankable talent is complicated by unwanted attention from bully Asa, who’s African-American, and blackmail at the hands of a strange classmate named Mickey, who’s white. To make matters worse, his mother starts dating Deacon Koh, “the lonely widower” of the First Korean Full Gospel Church, who seems to have dubious motives and “tries too hard.” Narrator Ok navigates this full plot with quirky humor that borders on dark at times. His feelings and actions dealing with his grief are authentic. Most of the characters take a surprising turn, in one way or another helping Ok despite initial, somewhat stereotypical introductions and abundant teasing with racial jokes. Although most of the characters go through a transformation, Ok’s father in comparison is not as fleshed-out, and Asa’s African-American Vernacular English occasionally feels repetitive and forced.

A work of heavy, realistic fiction told with oddball humor, honesty, and heart. (Fiction. 10-12)

Pub Date: Oct. 9, 2018

ISBN: 978-1-5344-1929-2

Page Count: 288

Publisher: Atheneum

Review Posted Online: June 25, 2018

Kirkus Reviews Issue: July 15, 2018

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