Powerful, well-wrought poems that consider mystery with discipline and nuance.

CHARM AND STRANGE

POEMS

These lyrical poems inhabit a world of dreamscapes, enigmas, and the numinous.

In her second collection, following The Last Eclipsed Moon (2008), Casebeer brings together 51 poems, many previously published in literary magazines. The title poem refers to two types of a quark, a fundamental subatomic particle. In 1990, the year Robert Taylor won the Nobel Prize in physics for his work on quarks, the speaker in this poem “had so little time to wonder / about the heart of anything,” consumed with “children and work / dogs and cats lilies and irises,” that she didn’t pay much attention to his achievement. Noting that the very term quarks comes from James Joyce’s Finnegans Wake, whose opening line starts in the middle of a sentence, the speaker suggests that literature has the greater claim to what’s fundamental, since a story—unlike matter—can begin anywhere. “Charm and strange” also encapsulate the book’s sense of forces that are, like the quark, elusive. Dreams and death, for example, figure in the opening piece, “Imagine the weight.” The speaker has anxiety dreams about time-pressured tasks she must perform, including some related to her (now dead) parents. They’re late in two senses, and in the slowness of living, she can’t catch up. The short, unpunctuated lines convey her breathlessness well. In all these poems, Casebeer’s craft is evident in the lines’ precision and economy. Similarly, in “Symbol,” the speaker’s fears for her husband and his “deathrattle / crisis” aren’t stated explicitly but are expressed instead by the disturbing image of shrikes, predator birds “that impale their prey / on thorns since they have no talons / only a songbird’s delicate feet.” Other poems engage with politics and social issues, but whatever the subject, the author goes devastatingly to the heart of things.

Powerful, well-wrought poems that consider mystery with discipline and nuance.

Pub Date: July 1, 2020

ISBN: 978-1-952570-61-2

Page Count: 134

Publisher: Adelaide Books

Review Posted Online: Nov. 18, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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For devoted Hannah fans in search of a good cry.

THE FOUR WINDS

The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.

“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.

For devoted Hannah fans in search of a good cry.

Pub Date: Feb. 9, 2021

ISBN: 978-1-2501-7860-2

Page Count: 464

Publisher: St. Martin's

Review Posted Online: Nov. 18, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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A whimsical fantasy about learning what’s important in life.

THE MIDNIGHT LIBRARY

An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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