Twenty-three original, first-person poems for the very young.
Following a multiethnic cast of little ones through their day and highlighting highchairs, strollers and other important objects in their lives, Oliver pens a set of poems tailor-made for tiny ears and minds. She quietly marvels at the wonder of toes: “Way down there at the end of my feet, / I’ve got ten toes; they’re really sweet. / I can count them, make them wiggle. / When they’re tickled, watch me giggle…. / I’ll bet that you have ten toes too. / Can you count them like I do?” The simple definition of sneeze is spun with whimsy: “A sneeze / Is a breeze / In / Your / Nose.” Throughout, the poems compel gentle caresses and interaction between adult and child. Varied rhythm and rhyme schemes enrich a baby’s exploration of sound at the time when his or her developing mind needs it most. DePaola’s round-faced babes, colored with delicate shading and cozy acrylics, wrap readers in warmth, while the square frames and initial letters mimic childhood blocks, bringing a touch of comfort and nostalgia to the package.
A tenderly crafted collection that captures the joyous individual moments of infant discoveries. (Picture book/poetry. 6 mos.-2)Pub Date: Feb. 11, 2014
ISBN: 978-0-399-16605-1
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 20, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Categories: CHILDREN'S POETRY
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...
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Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.
Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)Pub Date: April 2, 2019
ISBN: 978-1-328-78096-6
Page Count: 40
Publisher: Versify/HMH
Review Posted Online: Jan. 15, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: CHILDREN'S POETRY | CHILDREN'S HISTORY
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Well, finally. In this long-overdue follow-up to A Light In The Attic (1981), Silverstein once again displays the talent for wordplay and idea-play that keeps his poetry evergreen. In bumptious verse that seldom runs more than three or four stanzas, he introduces a gallery of daffy characters, including the Terrible Toy-Eating Tookle, a hamburger named James, blissfully oblivious Headphone Harold, and the so-attractive folk attending the "Rotten Convention''—"Mr. Mud and the Creepin' Crud / And the Drooler and Belchin' Bob,'' to name but a few. The humor has become more alimentary with the years, but the lively, deceptively simple art hasn't changed a bit. Its puzzled-looking young people (with an occasional monster or grimacing grown-up thrown in) provide visual punchlines and make silly situations explicit; a short ten-year-old "grows another foot''—from the top of his head—and a worried child is assured that there's no mouse in her hair (it's an elephant). Readers chortling their way through this inspired assemblage of cautionary tales, verbal hijinks, and thoughtful observations, deftly inserted, will find the temptation to read parts of it aloud irresistible. (index) (Poetry. 7+)
Pub Date: May 31, 1996
ISBN: 0-06-024802-5
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: May 1, 1996
Categories: CHILDREN'S POETRY
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