Middle school angst tempered by humorous insights.

WE ARE PARTY PEOPLE

Pixie has contentedly played introvert to her extroverted parents, but now circumstances demand that she expand her limited comfort zone.

Mom had to leave over a month ago to visit her own ailing mother in Fresno, so the white 12-year-old and her dad, Dan the Man, must run the family business—preparing, producing, and running birthday parties—without charismatic Mom. Pixie is infuriated when her father announces, “We need you to be a mermaid next Saturday.” “Next Saturday” means in approximately two weeks, and Pixie is determined to avoid the assignment. For years, she has been an organized, quietly competent part of the business. Meanwhile, she and her less-than-popular friends join a class-president campaign for the seemingly self-assured Sophie, a white classmate whose personality does as quick an about-face as Pixie’s by story’s end. Pixie narrates in the present tense, with plenty of flashbacks, musings, and editorializing, running the full gamut from humorous to dead serious. Occasionally, her confessions reveal a tendency that seems to veer beyond shyness into acute anxiety. The strongest chapters are the lively accounts of how Pixie and Dan organize and run parties without Mom. As Pixie takes risks, she moves beyond self-consciousness and even faces her former nemesis. Unfortunately, the character arc may have some readers inferring that an outgoing, entertaining personality is superior to one of quiet supportiveness. Racial and sexual diversity exist among secondary characters.

Middle school angst tempered by humorous insights. (Fiction. 8-12)

Pub Date: Oct. 3, 2017

ISBN: 978-0-374-30388-4

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

GHOSTS

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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