The loving encounters among animals of different species (and Lauricella’s real-world endeavor to help animals with special...

PINEY THE GOAT NANNY

From the GOA Kids - Goats of Anarchy series

With its retro, appealingly soft-edged digital art, this is the engaging story of how a piglet becomes the “goat nanny” of the title.

Piney the piglet lives inside a farmhouse with his human “mom,” who bakes and vacuums but who also rescues animals, especially goats. At first “mom” just wants him to enjoy life, but Piney longs to have a job just like everyone else. “The chickens ate the bugs and the goats chomped up the weeds.” After trying to help with household chores (Piney becomes entangled in the vacuum cord), he finally finds his special niche. There’s a new goat who needs comforting, a task that Piney apparently can take on. Tiny Prospect grows strong under Piney’s care. When he moves outside, Chibs (with “curled up” legs) and Lyla (with “three legs”) show up and receive the same nurturing care. Howarth’s illustrations are bright and uncomplicated, depicting smiling animals in a somewhat idealized farm setting; readers never see “mom’s” face, just pale hands and ankles. In a short photo essay at the book’s end, Piney’s story is revealed as “The True Story.” The combination of a picture book with the factual story works to show young children how true experiences can be turned effectively into stories.

The loving encounters among animals of different species (and Lauricella’s real-world endeavor to help animals with special needs) are great examples to help children develop empathy. (Picture book. 4-6)

Pub Date: April 15, 2018

ISBN: 978-1-63322-332-5

Page Count: 32

Publisher: Walter Foster Jr.

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 26, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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