An affirming memoir about surviving domestic violence with the help of furred and feathered friends.



An adult survivor of domestic violence recounts her experience starting an animal rescue farm in honor of her courageous mother.

When Zaleski was a child, her neighbors thought her family was perfect. Her mother, “a happy homemaker, demure but fashionable in her minidresses and capris with beautifully coiffed hair and flawless makeup,” was well matched with her charming, economically successful husband. But behind all the society page–worthy parties, the family harbored a dark secret: Zaleski’s father was dangerously violent. Finally, after two unsuccessful attempts at fleeing, Zaleski’s mother packed the children in the car and relocated to a house in the New Jersey woods that was so run-down it was almost uninhabitable. There followed years of abject poverty, continued harassment from her father, and a long line of adopted animals (“an endless litany of sad stories”). Zaleski’s mother rescued so many animals that she nicknamed their home the Funny Farm, a name the author would use when she formally opened an animal rescue farm in her mother’s honor weeks after her untimely death. “She had rallied, like Lazarus, after her brain surgery, so much so that we started believing in miracles,” writes Zaleski. “But…her decline, when it came, was swift. She faded before our eyes like a Polaroid in reverse.” The narrative alternates between a chronological account of the family’s experiences living just 10 minutes—yet a world away—from their wealthy, abusive father and vignettes about the animals living at the current Funny Farm. The author expertly balances humor and vulnerability while sharing the details of her harrowing childhood, making the book feel like a conversation between friends. Although the interspersed anecdotes about the Funny Farm’s most famous rescued animals provide welcome moments of levity, they sometimes lack a connection to the main story. On the whole, however, the book, both heartwarming and heartbreaking, is an enjoyable read.

An affirming memoir about surviving domestic violence with the help of furred and feathered friends.

Pub Date: Feb. 22, 2022

ISBN: 978-1-250-27283-6

Page Count: 256

Publisher: St. Martin's

Review Posted Online: Nov. 2, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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