Flashy and engaging with emotional depth—a slam-dunk thrill.

THE CROSSOVER

This graphic-novel adaptation of Alexander’s 2015 Newbery Medal winner offers powerful visuals to an already-cherished narrative of teenage black boys navigating the game of life.

The tale follows a year in the life of the Bell family, with Chuck “Da Man” Bell at the helm as he teaches his twin sons, Josh and Jordan, how to follow in his star-studded footsteps. Josh “Filthy McNasty” Bell takes the lead in narration, providing readers with in-depth court play-by-play as he deals with the growing pains of adolescence, balancing brotherhood and his own becoming. Myriad poetic forms appear throughout. A portion embrace rhyme, with a hint of old-school flow recalling hip-hop’s golden era. Veteran comics illustrator Anyabwile brings an expansive range of black-boy emotional expressiveness to the page, accompanied by a striking attention to detail and pop-cultural reference. Just check the fresh barber lines on display or the true-to-life illustrations of beloved athletes and musicians such as LeBron James, Kevin Durant, Lil Wayne, 2 Chainz, and more. Eschewing the traditional paneled look of the graphic-novel form creates a dynamic flow between the scenes. These are sectioned out into basketball-appropriate quarters and dotted with Chuck’s inspirational Basketball Rules, such as this excerpt of No. 3: “The sky is your limit, sons. Always shoot for the sun and you will SHINE.” These messages grow ever more resonant as readers approach the climax of this heartwarming story.

Flashy and engaging with emotional depth—a slam-dunk thrill. (Graphic fiction. 10-12)

Pub Date: Sept. 24, 2019

ISBN: 978-1-328-96001-6

Page Count: 224

Publisher: HMH Books

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

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An eminently satisfying story of family, recovery, and growing into manhood.

REBOUND

In this prequel to Newbery Award–winning The Crossover (2014), Alexander revisits previous themes and formats while exploring new ones.

For Charlie Bell, the future father of The Crossover’s Jordan and Josh, his father’s death alters his relationship with his mother and causes him to avoid what reminds him of his dad. At first, he’s just withdrawn, but after he steals from a neighbor, his mother packs a reluctant Charlie off to his grandparents near Washington, D.C., for the summer. His grandfather works part-time at a Boys and Girls Club where his cousin Roxie is a star basketball player. Despite his protests, she draws him into the game. His time with his grandparents deepens Charlie’s understanding of his father, and he begins to heal. “I feel / a little more normal, / like maybe he’s still here, / … in a / as long as I remember him / he’s still right here / in my heart / kind of way.” Once again, Alexander has given readers an African-American protagonist to cheer. He is surrounded by a strong supporting cast, especially two brilliant female characters, his friend CJ and his cousin Roxie, as well as his feisty and wise granddaddy. Music and cultural references from the late 1980s add authenticity. The novel in verse is enhanced by Anyabwile’s art, which reinforces Charlie’s love for comics.

An eminently satisfying story of family, recovery, and growing into manhood. (Historical verse fiction. 10-12)

Pub Date: April 2, 2018

ISBN: 978-0-544-86813-7

Page Count: 416

Publisher: HMH Books

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1999

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