A must-own compendium illustrating the richness, joy, and power of the modern Black experience.

BLACK FUTURES

A dynamic mixed-media exhibition of Black creativity and culture.

“What does it mean to be Black and alive right now?” Born of a social media exchange between curator and activist Drew and New York Times Magazine staff writer Wortham, this unique collaboration seeks to answer that question. The work is vivid, juicy, thick—as fecund as all of Black culture—and equal parts anthology, scrapbook, and art exhibition. The editors and contributors make clear the “infinite” nature of Blackness via more than 500 crammed pages of essays, art, interviews, and ephemera organized around broad themes that include “Power,” “Joy,” and “Black is (Still) Beautiful.” The “Invited to the Cookout” section features pictures of the social media posts that birthed the Black Lives Matter movement and a survival guide instructing “How To Survive a Police Riot,” which includes useful, pointed directives—e.g., “Be alert for spies and paid agents….Do not respond to unknown calls for action of mass meetings. Act as if your life depended on everything you do.” In “Power,” we learn about Dust II Onyx, a tarot deck that lovingly mines the power of Black custom and imagery, as well as the inventive legacy of African farmers: “Our ancestral grandmothers in the Dahomey region of West Africa braided seeds of okra, molokhia, and Levant cotton into their hair before being forced to board transatlantic slave ships.” Ziwe Fumudoh explores how the Twitter hashtag #ThanksgivingWithBlackFamilies revealed the unique humor and tradition of a Black holiday, and Teju Cole offers an essay about the photography of Roy DeCarava, who captured the civil rights movement with contemplative pictures that played with the shadow and light of Black skin. In addition to introducing readers to numerous unknown artists, the editors of the volume include a host of luminaries: Ta-Nehisi Coates, Samantha Irby, Dawoud Bey, Hanif Abdurraqib, Zadie Smith, and Kiese Laymon.

A must-own compendium illustrating the richness, joy, and power of the modern Black experience.

Pub Date: Dec. 1, 2020

ISBN: 978-0-399-18113-9

Page Count: 544

Publisher: One World/Random House

Review Posted Online: Nov. 5, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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