Monster and dino lovers alike will enjoy the foolishness.

MONSTERS ON THE RUN

From the Yeti Files series , Vol. 2

Yeti Blizz and his cryptid cronies are back for more adventure.

After finding his sasquatch cousin Brian, in Meet the Bigfeet (2014), Blizz and his friends are kicking back and playing games. However, their cryptid buddy Vanessa—Nessie—is feeling lonely, and she's thinking about leaving the loch. Blizz knows that might endanger her. Since Jack Saturday the unicorn isn't answering Blizz's calls, Blizz and friends head to Loch Ness on their bikes, and Nessie demonstrates her loneliness—all the denizens of the loch have companions but her. Elf Alex discovers she's a plesiosaur, and the friends decide to seek the help of Tobin Clover, a leprechaun. Tobin takes them back in time with the magic of the rainbow, but the friends are separated in a hasty escape from a T. Rex. Frank the arctic fox makes a dino friend, Nessie and Blizz meet more plesiosaurs, imp Gunthar and Alex run afoul of a triceratops...and Nessie decides she likes the present better. On their return, Tobin has a great surprise for Nessie, and the cryptids receive a call for help from the merfolk! Sherry's second yeti tale imparts a bit of dino info in its labeled black-and-white illustrations, which mix pages with a sentence or two of text with comic-style panels. The frenetic adventure’s as much fun as it is nonsensical. Be warned: read the first adventure before tackling this one, as there are no character introductions and no background info on cryptozoological society.

Monster and dino lovers alike will enjoy the foolishness. (Graphic/fantasy hybrid. 5-9)

Pub Date: Sept. 29, 2015

ISBN: 978-0-545-55619-4

Page Count: 128

Publisher: Scholastic

Review Posted Online: May 12, 2015

Kirkus Reviews Issue: June 1, 2015

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Empathetic art and lyrical text blend for a touching and empowering tale.

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AARON SLATER, ILLUSTRATOR

From the Questioneers series

The latest book in the Questioneer series centers an African American boy who has dyslexia.

Roberts’ characteristic cartoon illustrations open on a family of six that includes two mothers of color, children of various abilities and racial presentations, and two very amused cats. In a style more expressive and stirring than other books in the series, Beaty presents a boy overcoming insecurities related to reading comprehension. Like Harlem Renaissance artist Aaron Douglas, the boy’s namesake, the protagonist loves to draw. More than drawing, however, young Aaron wishes to write, but when he tries to read, the letters appear scrambled (effectively illustrated with a string of wobbly, often backward letters that trail across the pages). The child retreats into drawing. After an entire school year of struggle, Aaron decides to just “blend in.” At the beginning of the next school year, a writing prompt from a new teacher inspires Aaron, who spends his evening attempting to write “a story. Write something true.” The next day in class, having failed to put words on paper, Aaron finds his voice and launches into a story that shows how “beauty and kindness and loving and art / lend courage to all with a welcoming heart.” In the illustration, a tableau of colorful mythological beings embodies Aaron’s tale. The text is set in a dyslexia-friendly type. (This book was reviewed digitally.)

Empathetic art and lyrical text blend for a touching and empowering tale. (author's note, illustrator's note) (Picture book. 5-8)

Pub Date: Nov. 2, 2021

ISBN: 978-1-4197-5396-1

Page Count: 40

Publisher: Abrams

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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