A sweet and funny story about an unusual friendship.

INKLING

“No one was awake to see it happen.”

No one except Rickman, the cat, who was snooping around for something to eat. He saw the whole thing: The ink in Mr. Rylance’s sketchbook came to life, slithered across the page and lifted right out of the book, leaving no sign it had ever occupied the white paper. Ethan, Mr. Rylance’s son, hates drawing, but everyone thinks that because his dad is a famous graphic novel artist, Ethan has talent. The terrible truth is that he can’t draw, but his friends have designated him the artist for a school project. Then Ethan meets the splotch with a mind of its own and dubs it “Inkling.” Inkling has taught himself (Oppel genders Inkling male with pronoun use) to read and communicates by forming words on paper—and he can draw! But then Inkling goes missing. Has he been kidnapped? Did he run away? The third-person narrative follows Ethan, a classmate, and Inkling, neatly developing the inkblot into a memorable character in his own right. In a metafictive touch, the corners of the pages are themselves splotched, giving readers the feeling that they’re part of the story. Ethan’s 9-year-old sister has Down syndrome but isn’t a sentimental plot device; she adds an extra layer of true humor and warmth to the story. The characters all present white in Smith’s vignettes.

A sweet and funny story about an unusual friendship. (Fantasy. 7-12)

Pub Date: Nov. 6, 2018

ISBN: 978-1-5247-7281-9

Page Count: 240

Publisher: Knopf

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone.

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THE CHRISTMAS PIG

A 7-year-old descends into the Land of the Lost in search of his beloved comfort object.

Jack has loved Dur Pig long enough to wear the beanbag toy into tattered shapelessness—which is why, when his angry older stepsister chucks it out the car window on Christmas Eve, he not only throws a titanic tantrum and viciously rejects the titular replacement pig, but resolves to sneak out to find DP. To his amazement, the Christmas Pig offers to guide him to the place where all lost Things go. Whiffs of childhood classics, assembled with admirable professionalism into a jolly adventure story that plays all the right chords, hang about this tale of loss and love. Along with family drama, Rowling stirs in fantasy, allegory, and generous measures of social and political commentary. Pursued by the Land’s cruel and monstrous Loser, Jack and the Christmas Pig pass through territories from the Wastes of the Unlamented, where booger-throwing Bad Habits roam, to the luxurious City of the Missed for encounters with Hope, Happiness, and Power (a choleric king who rejects a vote that doesn’t go his way). A joyful reunion on the Island of the Beloved turns poignant, but Christmas Eve being “a night for miracles and lost causes,” perhaps there’s still a chance (with a little help from Santa) for everything to come right? In both the narrative and Field’s accomplished, soft-focus illustrations, the cast presents White.

Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone. (Fantasy. 8-12)

Pub Date: Oct. 12, 2021

ISBN: 978-1-338-79023-8

Page Count: 288

Publisher: Scholastic

Review Posted Online: Oct. 21, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

GHOSTS

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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