With large, sturdy board pages just right for tiny hands, this is a sweet selection for baby’s bedtime.


One by one, animal mothers tuck their babies into bed, easing them off to dreamland with snuggles and kisses.

Soothing rhythms and apt and varied vocabulary make this goodnight book special. Take, for example: “When cuddly cubs begin to doze, their mothers stroke them on the nose, / then grumble softly in their ear. / In Bear that means / ‘Good night, my dear.’ ” The adorable animal mothers and babies—bunnies, cats, lambs and chicks, in addition to the bears—look absolutely blissful as they cuddle up and settle in for some rest. These sweet scenes are set against a bluish-purple night sky dotted with white stars that twinkle merrily down on the sleeping critters. The final spread incorporates all of the animal families at once and offers a pleasing closing sentiment: “And with that nuzzle, kiss / or hug, the animals sleep, / warm and snug, / the way that babies always do / when mothers tell them, ‘I love you.’ ” While this title is perfect for mother-baby bonding, it doesn’t include any doting dads. Papas who want in on the action might try Anne Gutman and Georg Hallensleben’s Daddy Kisses (2003) or Karen Katz’s Daddy Hugs (2007).

With large, sturdy board pages just right for tiny hands, this is a sweet selection for baby’s bedtime. (Board book. 0-3)

Pub Date: Sept. 1, 2013

ISBN: 978-0-545-47957-8

Page Count: 12

Publisher: Cartwheel/Scholastic

Review Posted Online: Oct. 9, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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An unabashed love letter from mother.


From the Little Pookie series

A sweet celebration of the bond between a mother and her Pookie.

The eighth installment in this always charming series eschews the episodic drama and silliness of earlier outing such as Spooky Pookie (2015) in favor of a mom’s-eye-view celebration of her child and the time they spend together. There is, of course, nothing wrong with drama and silliness. But while the lack of conflict and plot in favor of unapologetic sentiment makes this book a quick read, that doesn’t make it any less endearing. The rhymed verse captures a mother’s wonder as she observes the many facets of her child’s personality: “Ah, Pookie. My little one. My funny one. My child. // Sometimes you are quiet. Sometimes you are wild.” On the simple joys of shared moments, she notes, “I love to go walking with you by my side. / I love when we sing when we go for a ride. // And I love just to watch as you think and you play. / The way that you are is a wonderful way.” Paired with author/illustrator Boynton’s irresistible renderings of a porcine mommy and her playful, snuggly little piglet, the result is impossible to fault. Whether quietly reading, running in a tiger suit, singing with mom in the car, ears flapping in the breeze, or enjoying the safety of mom’s embrace, Pookie’s appeal continues unabated.

An unabashed love letter from mother. (Board book. 1-4)

Pub Date: Dec. 4, 2018

ISBN: 978-1-5344-3723-4

Page Count: 18

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 5, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.


A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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