An anthology of riches, even if they aren’t always fair of form.

MONSTROUS AFFECTIONS

AN ANTHOLOGY OF BEASTLY TALES

Short stories with otherworldly creatures may be a dime a dozen, but rarely do they offer such nuanced scope.

Link and Grant, who edited the fantasy half of The Year’s Best Fantasy and Horror anthology until its demise in 2009, know their way around excellent short fiction, and their editorial skills are on display here. From the light(ish) and delightful to the subversively unromantic, from humor to horror, each entry both tells a good story and says something about monstrousness. “This Whole Demoning Thing” posits a world of demons but demonstrates that sometimes the greatest power is just being yourself; “Wings in the Morning” and “A Small Wild Magic” are laced with romance regardless of species, while “The Woods Hide in Plain Sight” takes the “girl meets vampire, finds eternal love” trope and turns it inside out. On the other end of the spectrum, “Son of Abyss” and “Mothers Lock Up Your Daughters Because They Are Terrifying” guarantee cold shivers and probably nightmares, one through gore and the other through psychology. Standouts include Paolo Bacigalupi’s “Moriabe’s Children” and Holly Black’s “Ten Rules for Being an Intergalactic Smuggler (The Successful Kind),” both of which clearly prove that monstrous behavior is usually human in form.

An anthology of riches, even if they aren’t always fair of form. (introduction) (Anthology/horror/fantasy. 13 & up)

Pub Date: Sept. 9, 2014

ISBN: 978-0-7636-6473-2

Page Count: 480

Publisher: Candlewick

Review Posted Online: June 18, 2014

Kirkus Reviews Issue: July 15, 2014

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An immersive tale of brave, vulnerable teens facing threats both real and fantastic.

ALL OUR HIDDEN GIFTS

An Irish teen grapples with past misdeeds and newfound ties to magic.

When 16-year-old Maeve discovers a deck of tarot cards stashed with a mixtape of moody indie music from 1990, she starts giving readings for her classmates at her all-girls private school. Though her shame over dumping her strange friend Lily during an attempt to climb the social ladder at St. Bernadette’s is still palpable, it doesn’t stop her from trying to use the tarot in her favor to further this goal. However, after speaking harsh words to Lily during a reading, Maeve is horrified when her former friend later disappears. As she struggles to understand the forces at play within her, classmate Fiona proves to be just the friend Maeve needs. Detailed, interesting characters carry this contemporary story of competing energy and curses. Woven delicately throughout are chillingly eerie depictions of the Housekeeper, a figure who shows up on an extra card in the deck, echoing the White Lady legend from Irish folklore. Even more disturbing is an organization of young people led by a homophobic but charismatic figurehead intent on provoking backlash against Ireland’s recent civil rights victories. Most characters are White; Fiona is biracial, with a Filipina mother and White Irish father. Roe, Maeve’s love interest and Lily’s sibling, is a bisexual, genderqueer person who is a target for intolerance in their small city of Kilbeg.

An immersive tale of brave, vulnerable teens facing threats both real and fantastic. (Paranormal. 14-18)

Pub Date: June 8, 2021

ISBN: 978-1-5362-1394-2

Page Count: 384

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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