A patchy, unusually wrong-footed outing from the deservedly esteemed historian.


A portrait of the Revolutionary War as a family spat that got out of hand.

In a savvy effort to make the war more accessible to young audiences, Krull begins by characterizing it as a “blowup between a parent figure and unruly children.” She then goes on to trace its course from the Stamp Act to the Treaty of Paris. Glib and readable as her overall account may be, though, it’s so frequently interrupted by discursive anecdotes and “Wise Words” from both participants and such modern savants as Hillary Clinton and Lin-Manual Miranda (the latter in an amusingly bowdlerized quote) that it’s often hard to keep track of events. More problematically, her language is afflicted with a pervasive parochialism that comes out both in her repeated use of the term “slaves” and, notwithstanding a proper acknowledgement of the influence of the Iroquois Confederacy on the political thinking of the Declaration’s drafters, several references to Native peoples as generic “Indians.” She does remember the ladies as well as African-Americans who fought on both sides, and she closes with an inspiring appreciation of the ways ideas expressed in the Declaration of Independence have gone on to affect the histories of this and many other countries. In her line drawings DiVito adds tongue-in-cheek notes, portraying George Washington as Captain America, for instance, and tucking a few extra heads among those on Mount Rushmore.

A patchy, unusually wrong-footed outing from the deservedly esteemed historian. (maps, index, source list) (History. 10-13)

Pub Date: Jan. 2, 2018

ISBN: 978-0-06-238110-1

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 1, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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A breezy, bustling bucketful of courageous acts and eye-popping feats.


From the They Did What? series

Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?

Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.

A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)

Pub Date: May 10, 2016

ISBN: 978-0-14-751813-2

Page Count: 320

Publisher: Puffin

Review Posted Online: Nov. 11, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...



A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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