Both beautiful and deeply flawed, like its subject.

AMERICA THE BEAUTIFUL

A pictorial interpretation of Bates’ “America the Beautiful.”

Few will question the aesthetic beauty of Minor’s paintings, which employ breathtaking realism to depict a diversity of landscapes in the continental U.S. Minor chooses sites ranging from the “purple mountain majesty” of Grand Teton National Park (first appearing on the front jacket) to a moving illustration for the line “Thine alabaster cities gleam / Undimmed by human tears!” that shows the Empire State Building illuminated in red, white, and blue with twin columns of light in the background. Throughout, Minor also varies his settings between the contemporary era and the past, selectively including people in some art. Unfortunately, herein lies a romanticizing of American history that is reliant on exclusion and erasure. The cover image of the Tetons is reused on the recto of an interior spread and expanded to a facing verso depicting three lone tepees, smoke rising from their tops. Such imagery risks relegating Indigenous people to the past and reinforces the myth of historically sparse Native populations—especially when juxtaposed with a scene of “pilgrim[s]” at Plimouth Plantation and another with a covered wagon moving through Nebraska. A spread with the figures on Mount Rushmore exalted as “heroes… / Who more than self their country loved / And mercy more than life” further whitewashes America’s history of settler colonialism and slavery.

Both beautiful and deeply flawed, like its subject. (biographical notes, sheet music, key, map) (Picture book. 4-10)

Pub Date: March 19, 2020

ISBN: 978-1-62354-121-7

Page Count: 48

Publisher: Charlesbridge

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Lovely illustrations wasted on this misguided project.

LUNAR NEW YEAR

From the Celebrate the World series

The Celebrate the World series spotlights Lunar New Year.

This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.

Lovely illustrations wasted on this misguided project. (Board book. 4-8)

Pub Date: Dec. 11, 2018

ISBN: 978-1-5344-3303-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 5, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A visually striking, compelling recollection.

FROM THE TOPS OF THE TREES

The author recounts a formative childhood experience that continues to inspire her today.

Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5415-8130-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Amid inconsistencies of format and information, the illustrations end up giving the most clarity about this festival.

DIWALI

From the Celebrate the World series

Diwali, the festival of lights, a five-day celebration that has many different forms, is celebrated in different ways across India and in many other countries.

This board book cursorily presents the different rituals associated with this celebration of the Hindu New Year, including getting the house ready to welcome Lakshmi, the goddess of wealth; decorating the house with rangoli and diyas; and celebrating with family, friends, fireworks, and good food. The text is simple and gives only very basic information. “On the fifth and final day of Diwali, we celebrate brothers and sisters. The lifelong bond between siblings is special, and we honor that.” The illustrations show four different sets of siblings celebrating each other in different ways, none of which are mentioned in the text, making it difficult for younger readers to understand the complexity of the celebration. Sreenivasan’s illustrations are colorful, detailed, and authentic, and they carry the book. They feature happy and smiling dark-haired people with a range of skin tones, diverse in ethnicity and dress. In bright, vivid colors, intergenerational families and friends from different regions come alive, dressed up in their colorful best, celebrating and enjoying the festival together in different ways. The board format of this title does not match the age range and conceptual level of the text.

Amid inconsistencies of format and information, the illustrations end up giving the most clarity about this festival. (Board book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-1-5344-1990-2

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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