Thoughtfully selected and prettily illustrated verses for religious households.

FOR EVERY LITTLE THING

POEMS AND PRAYERS TO CELEBRATE THE DAY

From morning to night, poems celebrate the everyday joys and wonders to be found in life.

The rising sun, doggy kisses, a parent’s hug, fireflies, butterflies, friends and family, and nighttime dreams are a few of the things given thanks for and highlighted in the poems and blessings collected in this anthology, which combines poems old and new and from several religions and cultures. While God is not addressed or spoken of in every poem, most do show some appreciation of God and/or God’s creation, ask for God’s help or blessings, or acknowledge God’s gifts to humankind. Several have overt social messages (the power of goodness, seeing God in those you meet), some use striking imagery (rain “parachuting from the sky,” snow as “confetti from an angel’s party”), and many use pleasing rhymes and rhythms that will resonate with child readers (“Tuck your covers / snug and tight. / Tuck the good / into the night”). Artwork sets the tone for each poem, sometimes suggesting a theme or setting and other times illustrating the verse itself, whether as a whole or a small piece: Two poems, one mentioning “sandals on my feet,” the other “head to foot” are bookended by eight pairs of feet of diverse skin tones and shod in various sandal styles. A spread with poems talking about being kind and hurting no living thing is filled with realistic-looking life-size bugs of all types.

Thoughtfully selected and prettily illustrated verses for religious households. (index of poets) (Picture book/poetry/religion. 4-10)

Pub Date: Sept. 21, 2021

ISBN: 978-0-8028-5519-0

Page Count: 96

Publisher: Eerdmans

Review Posted Online: Aug. 31, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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A small but mighty collection sure to remind readers that love, again, can prevail over all if given the chance.

I AM LOVED

In this collection, poet Giovanni seeks to remind black children especially that they are loved.

Giovanni carries the weight of the love that has sustained generations and united communities to her poems with amazing, succinct elegance. Standouts include “I Am a Mirror,” opposite which Bryan centers a real inset mirror against a colorful background of vibrant shapes amid natural landscapes. “I reflect the strengths / Of my people / And for that alone / I am loved,” concludes Giovanni’s ode to black ancestry and intergenerational resilience. “No Heaven” takes another heartwarming approach sure to incite genuine embraces among readers. “How can there be / No Heaven / When tears comfort / When dreams caress / When you smile / at me.” Recalling her earlier collection Hip Hop Speaks to Children (2008, illustrated by Kristen Balouch), Giovanni ends with the playful and reflective “Do the Rosa Parks,” a rhythmic and moving song about the power of sitting down to stand up. Outkast vibes run through it, though some readers may wish for an instructional cue. Throughout, Bryan’s bright tempera and watercolor paintings offer readers harmonious forms and flowing lines, smiling black children and adults arranged as if in tropically colored stained-glass windows. The two masters together deliver another powerful addition to their separate, award-winning catalogs.

A small but mighty collection sure to remind readers that love, again, can prevail over all if given the chance. (Picture book/poetry. 4-9)

Pub Date: Jan. 9, 2018

ISBN: 978-1-5344-0492-2

Page Count: 32

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Oct. 1, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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A visually striking, compelling recollection.

FROM THE TOPS OF THE TREES

The author recounts a formative childhood experience that continues to inspire her today.

Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5415-8130-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Here’s hoping this will inspire many children to joyfully engage in writing.

WRITE! WRITE! WRITE!

Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: March 1, 2020

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