A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.

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FIEBRE TROPICAL

In U.S.–based Colombian author Delgado Lopera's coming-of-age novel, a 15-year-old Colombian girl struggles with her identity and her burgeoning sexuality.

Dragged unwillingly from Bogotá to Miami, crammed with her mother and sister into her grandmother's apartment at the Heather Glen Apartment Complex, Francisca misses her friends and her former life. But she can't go home, because "this wasn't a Choose Your Own Migration multiple-choice adventure." In a scene early in the book, her mother insists on baptizing a child she miscarried 17 years before, using a plastic doll from a discount store as a stand-in baby. Manic one moment and sad the next, Mami has joined the Iglesia Cristiana Jesucristo Redentor, an evangelical Colombian church in "a stinky room in the Hyatt Hotel nobody cared to vacuum." In the car on their way there, the doll stares at Francisca with a fixed, plastic smile. "Are you happy now, asshole, I wanted to say....You're still dead, pendejo." With a whip-smart, unapologetic voice peppered with Colombian slang, Francisca pulls us into her new life in "Yanquilandia." Trouble arises when she meets Carmen the pastor's daughter, who wants her to accept Jesus into her heart. Francisca imagines God in "a dentist's waiting room checking in with the receptionist every so often, Did Francisca receive my son in her heart yet? (said no God ever)." Instead, she finds herself falling in love with Carmen, threatening her family's tenuous place in the immigrant community. Though the plot revolves around a coming-out story, the great strength of Delgado Lopera's writing lies in its layered portrayals of these characters and their world. "Women in my family possessed a sixth sense...from the close policing of our sadness: Your tristeza wasn't yours, it was part of the larger collective female sadness jar to which we all contributed."

A rich, deeply felt novel about family ties, immigration, sexual longing, faith, and desire. Simultaneously raw and luminous.

Pub Date: March 4, 2020

ISBN: 978-1-936932-75-7

Page Count: 240

Publisher: Feminist Press

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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