A heroic, uplifting account of easing others’ suffering and building a family.

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A memoir about fighting AIDS and finding love in Kenya.

In her nonfiction debut, Boit recounts her experiences working at a care center in western Kenya. The shift—she’d gone there after working as a nurse on an HIV unit in Los Angeles—is more than just moving from a developed to a developing country. It also involves a drastic shift in cultural attitudes. As Boit mentions, in the U.S. in 2004, HIV was mostly treated as a chronic disease rather than a death sentence. In Kipkaren River Village where she takes up residence, however, not only are the circumstances very different (no electricity, no running water, no indoor plumbing, and so on), but so were the attitudes toward the disease itself. She met dedicated doctors who very much wanted to change that, and she also met a man named Titus, whom she married. They had a child, Ella, but the real focus of the narrative is on a premature baby named Ryan, whom Boit took into her home. Soon after, she and Titus agreed to adopt Ryan. The story expands to include their adoption of two more children. Throughout the tale, Boit maintains a glowingly optimistic, companionable tone. She never makes the foremost mistake of so many memoirists—thinking the mere details of her story will in and of themselves interest readers. Instead, she consistently ties her memories to broader insights about love and about her own personal Christian faith. “Over the years,” she writes, “as I stepped closer to those in their suffering, I came to recognize the nearness of God—present in the hard places and the pain, in the spaces where death and destruction always wanted to win.” Boit has worked in those hard places, and her memoir illuminates them.

A heroic, uplifting account of easing others’ suffering and building a family.

Pub Date: Sept. 28, 2021

ISBN: 978-1-63-195427-6

Page Count: 260

Publisher: Morgan James Publishing

Review Posted Online: July 28, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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