A straight-up account of masculinity, maturity and memory that leaves a smile on the face and an ache in the heart.

THE TENDER BAR

A MEMOIR

It takes a gin mill to raise a child—or so one might think from this memoir filled with gladness by a Pulitzer Prize–winning Los Angeles Times correspondent.

In the early ’70s, grade-schooler Moehringer lived with his mother in her father’s house in Manhasset, a small town 17 miles east of Manhattan that F. Scott Fitzgerald used as the setting for The Great Gatsby. Listening to the radio for his absent father (a drunken deejay), puzzled by his slovenly grandfather, the boy had no male role models until Uncle Charlie took him to the local saloon where he bartended. Moehringer evokes the sights, sounds and smells that gave Publicans (originally known as Dickens) its sodden charm: not just the beer and the fund of coins accumulating in the urinal, but the “faint notes of perfumes and colognes, hair tonics and shoe creams, lemons and steaks and cigars and newspapers, and an undertone of brine from Manhasset Bay.” Sporting Runyonesque nicknames like Bob the Cop, Cager, Stinky, Colt, Smelly, Jimbo, Fast Eddy and Bobo, the bar’s denizens included poets, bookies, Vietnam vets, lawyers, actors, athletes, misfits and dreamers, all forming “one enormous male eye looking over my shoulder.” Moehringer captures in all its raunchy, often hilarious glory the conversations of these master storytellers, as intoxicated by words as by alcohol. Their saloon community later provided a retreat for the author following a disastrous collegiate love affair and failure as a New York Times copyboy. The 1989 death of charismatic owner Steve began Publicans’ demise, but also propelled 25-year-old Moehringer into growing up, as he left his buddies behind and began his journalism career anew out West.

A straight-up account of masculinity, maturity and memory that leaves a smile on the face and an ache in the heart.

Pub Date: Sept. 7, 2005

ISBN: 1-4013-0064-2

Page Count: 384

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2005

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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