A collection of surreal stories from a Danish wunderkind.
This debut book brings together five strange, challenging works of fiction and has already won its 30-year-old author several Nordic literary awards. Difficult and mesmerizing, the stories range from formally formidable to downright mind-melting in their creative disregard for convention. "Alvin," relayed in one paragraph that spans 32 pages, follows a narrator who lands in Copenhagen for business only to learn that the building where he was heading has collapsed into rubble. Without a place to stay, the narrator crashes with the titular character, a wildly successful derivatives trader whose friendly economic advice quickly escalates into the two acquaintances absconding to Bucharest to make money and, maybe, love. The equally inventive "Bad Mexican Dog" centers around beach boys who wait hand and foot on guests at a resort in Cancún. The story is broken into two parts: Its first half features the unsettling death and resurrection of one of the beach hands, and it's an understatement to say that the second half then gets weird. Likewise, "Rachel, Nevada" follows a man's visceral, violent encounter with an extraterrestrial device known only as "The Sender"; beneath the shock value of the man's self-inflicted tracheotomy, sincere questions about reality and authenticity bubble. It's Eika's ability to plunge readers headfirst into discomfort or even disgust and then prod for uncomfortable truths that elevates his brazenly weird fiction from crass pyrotechnics to legitimately rewarding puzzles.
Utterly brilliant and occasionally confounding, these strange stories catch like fishhooks into the reader's nervous system.Pub Date: Aug. 24, 2021
ISBN: 978-0-593-32910-8
Page Count: 208
Publisher: Riverhead
Review Posted Online: June 16, 2021
Kirkus Reviews Issue: July 1, 2021
Categories: LITERARY FICTION | SHORT STORIES
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A whimsical fantasy about learning what’s important in life.
35
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An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.
How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.
A whimsical fantasy about learning what’s important in life.Pub Date: Sept. 29, 2020
ISBN: 978-0-52-555947-4
Page Count: 336
Publisher: Viking
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 17, 2021
Kirkus Reviews Issue: April 1, 2021
Categories: LITERARY FICTION | GENERAL FICTION
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