Red meat, and mighty tasty at that, for baseball fans with an appreciation for the past and power of the game.

THE BASEBALL 100

Longtime sports journalist Posnanski takes on a project fraught with the possibilities of controversy: ranking the 100 best baseball players of all time.

It would steal the author’s thunder to reveal his No. 1. However, writing about that player, Posnanski notes, “the greatest baseball player is the one who lifts you higher and makes you feel exactly like you did when you fell in love with this crazy game in the first place.” Working backward, his last-but-not-least place is occupied by Japanese outfielder Ichiro Suzuki, whose valiant hitting rivaled Pete Rose’s, mostly a base at a time. As for Rose, who comes in at No. 60, Posnanski writes, “here’s something people don’t often say about the young Pete Rose, but it’s true: The guy was breathtakingly fast.” Thus, in his first pro season, Rose stole 30 bases and hit 30 triples. That he was somewhat of a lout is noted but exaggerated. Posnanski skillfully weaves statistics into the narrative without spilling into geekdom, and he searches baseball history for his candidate pool while combing the records for just the right datum or quote: No. 10 Satchel Paige on No. 15 Josh Gibson: “You look for his weakness, and while you’re looking for it he’s liable to hit 45 home runs.” Several themes emerge, one being racial injustice. As Posnanski notes of “the greatest Negro Leagues players....people tend to talk about them as if there is some doubt about their greatness.” There’s not, as No. 94, Roy Campanella, among many others, illustrates. He was Sicilian, yes, but also Black, then reason enough to banish him to the minors until finally calling him up in 1948. Another significant theme is the importance of fathers in shaping players, from Mickey Mantle to Cal Ripken and even Rose. Posnanski’s account of how the Cy Young Award came about is alone worth the price of admission.

Red meat, and mighty tasty at that, for baseball fans with an appreciation for the past and power of the game.

Pub Date: Sept. 28, 2021

ISBN: 978-1-982180-58-4

Page Count: 880

Publisher: Avid Reader Press

Review Posted Online: Oct. 20, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A fierce, penetrating, and empowering call for change.

BEYOND THE GENDER BINARY

From the Pocket Change Collective series

Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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