It’s a sweeping overview, but it’s too bland and disorganized to invite repeat flights.

DESTINATION: PLANET EARTH

A swift tour of our planet’s surface and the forces that work changes on it.

In painted illustrations, Clohosy Cole sends five young explorers zigzagging from one generic locale to another in no obvious order. They learn the rudiments of latitude and longitude, trek through deserts and other biomes, witness both a tornado and an earthquake, parachute from a plane as a rocket roars past, look out over a river and a coastline, peer into a deep-sea crevasse where two tectonic plates are pulling apart, poke through a huge garbage dump, and finally do some gardening in a futuristic city. Nelson’s easily digestible definitions and explanatory notes, many of which are accompanied by smaller schematic images, are scattered over the scenes in inset blocks. With so much territory to cover it’s not surprising that the level of specific detail is, at best, ankle deep, but the author covers the geophysical basics accurately enough. Erupting volcanoes and cute rainforest monkeys notwithstanding, though, the art is conspicuously lacking in drama or wonder, and the higgledy-piggledy arrangement of the single-topic spreads gives the whole project a perfunctory air. Captions on a detachable fold-out map at the end contain a couple of errors, to boot. Of the five child guides, one is brown-skinned, and the other four are pale.

It’s a sweeping overview, but it’s too bland and disorganized to invite repeat flights. (Nonfiction. 10-13)

Pub Date: March 1, 2018

ISBN: 978-1-78603-062-7

Page Count: 40

Publisher: Wide Eyed Editions

Review Posted Online: Feb. 4, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Far from comprehensive but visually arresting and, at times, provocative.

HUMAN BODY

From the Information Graphics series

Stylized graphics rendered in saturated hues set this quick overview of body systems apart from the general run.

Arranged in tabbed and color-coded sections, the tour covers familiar ground but often from an unusual angle. The tally of human senses at the beginning, for instance, includes “proprioception” (physical multitasking), and ensuing chapters on the skeletal, circulatory and other systems are capped with a miscellany of body contents and products—from selected parasites and chemicals to farts and sweat. Likewise, descriptions of a dozen physical components of the “Brain Box” are followed by notes on more slippery mental functions like “Consciousness” and “Imagination.” The facts and observations gathered by Rogers are presented as labels or captions. They are interspersed on each spread with flat, eye-dazzling images designed by Grundy not with anatomical correctness in mind but to show processes or relationships at a glance. Thus, to show body parts most sensitive to touch, a silhouette figure sports an oversized hand and foot, plus Homer Simpson lips (though genitals are absent, which seems overcautious as an explicit section on reproduction follows a few pages later), and a stack of bathtubs illustrates the quantity of urine the average adult produces in an average lifetime (385 bathtubs’ worth). There is no backmatter.

Far from comprehensive but visually arresting and, at times, provocative. (Nonfiction. 11-13)

Pub Date: Aug. 26, 2014

ISBN: 978-0-7636-7123-5

Page Count: 80

Publisher: Big Picture/Candlewick

Review Posted Online: April 30, 2014

Kirkus Reviews Issue: May 15, 2014

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Skimps on early days and non-European ways but lays out some groundwork for budding investigators.

SCENE OF THE CRIME

TRACKING DOWN CRIMINALS WITH FORENSIC SCIENCE

From the Invention & Impact series , Vol. 3

How nabbing perps has gone from using “guesswork, gossip…and even ghosts” to DNA analysis.

Newquist stumbles out of the starting gate with a radically simplistic overview of the pre-modern development of laws and law enforcement (“much of the Western world was in chaos during a time known as the Middle Ages”) and misses or neglects to mention that the standard Henry Classification System for fingerprints was actually invented by Indian mathematicians. Once he gets to mid-18th-century London’s proto-police “Bow Street Runners,” however, he goes on to deliver a reasonably straightforward account of how tools and techniques from blood typing to ballistics became incorporated into today’s forensic science. Also, he balances nods to the positive contributions of prominent criminologists like Alphonse Bertillon and Frances Glessner Lee with a sharp critique of their colleague Francis Galton’s belief in eugenics. He takes closer looks at groundbreaking cases and how they were solved (or not), tucks in topical glossaries as well as directions for homespun activities like collecting fingerprints and analyzing blood spatters (the latter using, thankfully, paint or food coloring), and closes with looks at theoretical advances such as “molecular photofitting,” which involves leveraging DNA to create physical descriptions. In the mix of historical portraits, documents, and crime-scene photos, all of the human figures are White, though several on both sides of the law are women.

Skimps on early days and non-European ways but lays out some groundwork for budding investigators. (index, resource list) (Nonfiction. 11-13)

Pub Date: Oct. 26, 2021

ISBN: 978-0-451-47646-3

Page Count: 128

Publisher: Viking

Review Posted Online: Aug. 18, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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