Likely to be read once at most; still, a handsomely designed offshoot from the Fantastic Beasts franchise.

THE CRIMES OF GRINDELWALD

THE ORIGINAL SCREENPLAY

From the Fantastic Beasts series , Vol. 2

The ruthless Grindelwald escapes to recruit more followers—one in particular—to his genocidal cause.

More a collectible spinoff than a fleshed-out story, the volume frames 120 quick-cut scenes of sparse dialogue and staging directions within swirling art nouveau–style borders, with plenty of similarly elegant spot art featuring occasional small images of magical creatures but no human figures. There are no stills from the 2018 film either, though director David Yates chimes in with a fluffy foreword, and the backmatter includes a vocabulary of staging abbreviations and partial cast and crew lists. The storyline, sketchy as it is in this form, picks up where the previous episode left off—readers will definitely need to have the established characters and events fresh in their minds to keep pace—and, after various side trips, gathers the ensemble (including token Muggle Jacob Kowalski) in Paris for a climactic dust-up beneath Père Lachaise cemetery. As usual in the Potterverse, agendas nearly always turn on family relations or class, so aside from a glancing reference to Grindelwald and Albus Dumbledore’s being “closer than brothers” in their youths, the main developments here center on the star-crossed Muggle/magical romance of Jacob and Queenie and the (supposed) ancestry of powerful but ominously impressionable Credence Barebone. Stay, as the saying goes, tuned.

Likely to be read once at most; still, a handsomely designed offshoot from the Fantastic Beasts franchise. (Fantasy. 10-adult)

Pub Date: Nov. 16, 2018

ISBN: 978-1-338-26389-3

Page Count: 304

Publisher: Levine/Scholastic

Review Posted Online: Dec. 22, 2018

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Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror.

THE ICKABOG

Rowling buffs up a tale she told her own children about a small, idyllic kingdom nearly destroyed by corrupt officials.

In the peaceful land of Cornucopia, the Ickabog has always been regarded as a legendary menace until two devious nobles play so successfully on the fears of naïve King Fred the Fearless that the once-prosperous land is devastated by ruinous taxes supposedly spent on defense while protesters are suppressed and the populace is terrorized by nighttime rampages. Pastry chef Bertha Beamish organizes a breakout from the local dungeon just as her son, Bert, and his friend Daisy Dovetail arrive…with the last Ickabog, who turns out to be real after all. Along with full plates of just deserts for both heroes and villains, the story then dishes up a metaphorical lagniappe in which the monster reveals the origins of the human race. The author frames her story as a set of ruminations on how evil can grow and people can come to believe unfounded lies. She embeds these themes in an engrossing, tightly written adventure centered on a stomach-wrenching reign of terror. The story features color illustrations by U.S. and Canadian children selected through an online contest. Most characters are cued as White in the text; a few illustrations include diverse representation.

Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror. (Fantasy. 10-13)

Pub Date: Nov. 10, 2020

ISBN: 978-1-338-73287-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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