by Jen Calonita ‧ RELEASE DATE: Oct. 1, 2019
“What if Anna and Elsa never knew each other?”
Anna and Elsa from Frozen feature in this entry to Disney’s series featuring their popular animated films reimagined with alternate premises. Accidents when they were young caused both Anna and Elsa to forget Elsa’s powers and their relationship. Elsa grows up in the palace, and Anna is raised in a bakery on a mountainside, unaware of her royal status. Key moments from the film are still featured but with reworked pivotal status, as is some narration with strong nods to a certain viral song: “the cold never bothered her, anyway.” The novel adds some depth to the worldbuilding, such as by naming and describing members of the palace staff, although no one returning or new adds great substance to the story. This outlandish, convoluted timeline leaves the sisters even more lonely than in the animated film’s plot but still with a bond of sisterhood that apparently transcends physical separation with innate yet inexplicable yearnings and feelings. In the end, it’s (authorized) fan fiction—exactly what some fans crave. Characters’ ethnicities follow the portrayals in the movie original.
Let this one go. (Fiction. 12-18)Pub Date: Oct. 1, 2019
ISBN: 978-1-368-05223-8
Page Count: 320
Publisher: Disney-Hyperion
Review Posted Online: Aug. 28, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Share your opinion of this book
Did you like this book?
More In The Series
More by Jen Calonita
BOOK REVIEW
by Jen Calonita
BOOK REVIEW
by Jen Calonita
BOOK REVIEW
by Jen Calonita
by Adam Silvera ‧ RELEASE DATE: Sept. 5, 2017
What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
Share your opinion of this book
Did you like this book?
More by Becky Albertalli
BOOK REVIEW
BOOK REVIEW
by Adam Silvera
BOOK REVIEW
by Adam Silvera
More About This Book
BOOK TO SCREEN
by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
Share your opinion of this book
Did you like this book?
More by Kathleen Glasgow
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2022 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.