This doorstopper of an anthology will surely entertain fantasy fans.

THE BIG BOOK OF MODERN FANTASY

A companion volume to The Big Book of Classic Fantasy (2019), Ann and Jeff VanderMeer’s latest anthology—and last together, according to the introduction—explores modern fantasy and its evolution from the end of WWII to 2010 with a shelf-bending collection featuring 91 stories from some of the genre’s biggest luminaries, including Ursula K. Le Guin, George R.R. Martin, Terry Pratchett, Stephen King, and J.G. Ballard.

The VanderMeers do an adept job of giving readers a comprehensive view of the narrative scope of fantasy—which they describe as “one of the broadest genres imaginable”—over the last six-plus decades with an impressively wide variety of stories. In addition to featuring iconic adventure fantasy works (Fritz Leiber’s Fafhrd and the Gray Mouser story “Lean Times in Lankhmar”; “The Tales of Dragons and Dreamers,” a Tales of Nevèrÿon story by Samuel R. Delany; and Michael Moorcock’s introduction to Elric of Melniboné in “The Dreaming City”) and classic “literary” short stories like Vladimir Nabokov’s “Signs and Symbols” and “A Very Old Man With Enormous Wings” by Gabriel García Márquez, the anthology also contains a conspicuous number of dragon-powered stories. Finnish author Tove Jansson’s illustrated all-ages story “The Last Dragon in the World” includes her signature Moomins characters in a delightful tale about a tiny dragon, and Patricia McKillip’s “The Fellowship of the Dragon” follows five armed women as they embark on a perilous quest to find a missing harpist who has been allegedly imprisoned by a dragon. Many of the book’s strongest selections come from international fantasy, with translated stories from Mexican writer Alberto Chimal (“Mogo”), French author Manuela Draeger (“The Arrest of the Great Mimille”), and Belarusian writer Abraham Sutzkever (“The Gopherwood Box”).

This doorstopper of an anthology will surely entertain fantasy fans.

Pub Date: July 21, 2020

ISBN: 978-0-525-56386-0

Page Count: 864

Publisher: Vintage

Review Posted Online: May 18, 2020

Kirkus Reviews Issue: June 1, 2020

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A masterful debut from a must-read new voice in fantasy.

FOR THE WOLF

Twin princesses—one fated to become a queen, the other a martyr—find themselves caught up in an unexpected battle of dark magic and ancient gods.

Four hundred years ago, a Valleydan princess facing a loveless betrothal sought refuge in the Wilderwood with her lover, the Wolf. The legendary Five Kings—including her father and her husband-to-be—pursued them only to be trapped in the Wilderwood. Now, according to legend, the only hope of restoring the Five Kings to power lies in the ritual sacrifice of every Second Daughter born to Valleyda's queen. There hasn't been a second daughter for 100 years—until now. On her 20th birthday, Redarys accepts her fate and walks into the Wilderwood to become the Wolf's next victim only to find that the stories she grew up on were lies. The handsome man who lives in a crumbling castle deep in the forest is not the original Wolf but his son, and he wants nothing to do with Red or her sacrifice. Afraid of her wild magic abilities and the danger they pose to her sister, Neverah, Red refuses to leave the Wilderwood. Instead, she clings to the new Wolf, Eammon, who will do whatever it takes to protect her from the grisly fate of the other Second Daughters. Meanwhile, in the Valleydan capital, Neve's desperation to bring her sister home sets her on a path that may spell disaster for Red, Eammon, and the Wilderwood itself. Whitten weaves a captivating tale in this debut, in which even secondary characters come to feel like old friends. The novel seamlessly blends "Little Red Riding Hood" and "Beauty and the Beast" into an un-put-down-able fairy tale that traces the boundaries of duty, love, and loss.

A masterful debut from a must-read new voice in fantasy.

Pub Date: June 1, 2021

ISBN: 978-0-316-59278-9

Page Count: 448

Publisher: Orbit

Review Posted Online: April 14, 2021

Kirkus Reviews Issue: May 1, 2021

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A haunting fable of a lonely, moribund world that is entirely too plausible.

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KLARA AND THE SUN

Nobelist Ishiguro returns to familiar dystopian ground with this provocative look at a disturbing near future.

Klara is an AF, or “Artificial Friend,” of a slightly older model than the current production run; she can’t do the perfect acrobatics of the newer B3 line, and she is in constant need of recharging owing to “solar absorption problems,” so much so that “after four continuous days of Pollution,” she recounts, “I could feel myself weakening.” She’s uncommonly intelligent, and even as she goes unsold in the store where she’s on display, she takes in the details of every human visitor. When a teenager named Josie picks her out, to the dismay of her mother, whose stern gaze “never softened or wavered,” Klara has the opportunity to learn a new grammar of portentous meaning: Josie is gravely ill, the Mother deeply depressed by the earlier death of her other daughter. Klara has never been outside, and when the Mother takes her to see a waterfall, Josie being too ill to go along, she asks the Mother about that death, only to be told, “It’s not your business to be curious.” It becomes clear that Klara is not just an AF; she’s being groomed to be a surrogate daughter in the event that Josie, too, dies. Much of Ishiguro’s tale is veiled: We’re never quite sure why Josie is so ill, the consequence, it seems, of genetic editing, or why the world has become such a grim place. It’s clear, though, that it’s a future where the rich, as ever, enjoy every privilege and where children are marshaled into forced social interactions where the entertainment is to abuse androids. Working territory familiar to readers of Brian Aldiss—and Carlo Collodi, for that matter—Ishiguro delivers a story, very much of a piece with his Never Let Me Go, that is told in hushed tones, one in which Klara’s heart, if she had one, is destined to be broken and artificial humans are revealed to be far better than the real thing.

A haunting fable of a lonely, moribund world that is entirely too plausible.

Pub Date: March 2, 2021

ISBN: 978-0-593-31817-1

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 27, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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