After Will’s older brother, Shawn, is shot and killed, Will knows he has to follow the rules: Don’t cry, don’t snitch, get revenge.
The rules are so old it’s hard to know where they came from, but Will knows they are not meant to be broken. He gets Shawn’s gun and heads downstairs in the elevator to shoot Riggs, his brother’s former friend, who he is convinced is responsible. As the elevator door opens on each floor, Will is confronted by people from his past who were also victims of gun violence. They question Will’s plan and motivation, and although Will was certain it was Riggs when he first got into the elevator, at some point he isn’t so sure. The ghosts, their truths, and the fact that he has never held a gun before make the decision to enact revenge that much more frightening. Based on Reynolds’ 2017 award-winning verse novel of the same name, this full-color graphic adaptation will pull in both old and new readers. Novgorodoff’s ink-and-watercolor images bring a softness to the text that contrasts with the violent deaths and the stark choice Will faces. Reynolds’ fans will be pleased to see some of the original dialogue and narration remain, though edited to keep the story emotion-packed and the pace as swift as the elevator ride. Characters are Black.
A moving rendition that stands on its own. (Graphic fiction.12-18)Pub Date: Oct. 13, 2020
ISBN: 978-1-5344-4495-9
Page Count: 208
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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SEEN & HEARD
Riveting, brutal and beautifully told.
16
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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PROFILES
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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