A touching, romantic, and rewarding read.

ALL KINDS OF OTHER

A cisgender boy and a transgender boy navigate bullying and a budding romance.

Jules, a White, Jewish cis boy, is about to begin his sophomore year of high school in Los Angeles. He is instantly intrigued by Jack, a mysterious and aloof new arrival from Pittsburgh. Their shy flirtation seems to be leading to more until someone sends out a video revealing that Jack is trans. Jules’ mother and friend say a gay guy shouldn’t date a trans guy, but Jules’ heart tells him otherwise. Although the author does not shy away from depicting transphobia and bullying—including the use of a slur—the overall tone is hopeful, and this is, in the end, a realistic, sensitive depiction of a trans boy. In one powerful scene, the author captures the intense discomfort of being asked invasive personal questions while your supposed allies let you down. On the other end of the emotional spectrum, the boys’ romance is tender, sweet, and endearingly awkward. As Jack himself points out, there are few media depictions of cis and trans men dating. This book is a welcome and successful entry into the category. Jack’s mother is Asian Indian; his multiracial father is White-passing. Sie incorporates Jack’s intersectional identities into the story, as he is faced with racism and seeks a closer connection to the Indian heritage he knows little about due to a family rift.

A touching, romantic, and rewarding read. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-06-296249-2

Page Count: 416

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

Did you like this book?

Riveting, brutal and beautifully told.

Reader Votes

  • Readers Vote
  • 17

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

An unsettling but easy-to-read blend of social media savvy and gritty gumshoe work.

14 WAYS TO DIE

A teen sleuth tries livestreaming to catch a murderer.

Seventeen-year-old Jessica Simmons lost her mother a decade ago, the first victim of the Magpie Man, a serial killer now on victim No. 13, who has struck in locations around the U.K. Her father’s life is still in shambles and her former friends are long gone, but Jessica’s decided to publicize her tragedy. One of five contestants on YouTube’s “The Eye”—an unscripted, livestreamed reality show—Jessica asks her viewers to help identify the serial killer. But inviting the world into her home and school brings unwanted attention, perhaps even from the Magpie Man, whose body count keeps climbing: Sleuthing-related drama and peril ensue. Jessica’s friends and family are economically rendered yet believable, and Ralph renders grief beautifully and devastatingly, as something that evolves but doesn’t end. As in the story, the bulk of the action occurs when the cameras aren’t rolling, and eventually, the reality show premise and its minimally developed contestants are more a distraction and transparent deus ex machina than an integral part of Jessica’s journey. More intriguing—and with real-life precedents—is the possibility of crowdsourcing a murder investigation. Although the fast-paced finale can’t quite overcome the slow start and overlong middle, the tale reaches a dramatic, satisfactory conclusion. Characters follow a White default.

An unsettling but easy-to-read blend of social media savvy and gritty gumshoe work. (resources, author interview) (Thriller. 14-18)

Pub Date: June 1, 2021

ISBN: 978-1-72823-186-0

Page Count: 384

Publisher: Sourcebooks Fire

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

Did you like this book?

more