FIRST PALM TREES

AN ANANCY SPIDERMAN STORY

A prophet sees a vision of palm trees in a dream, and the king offers a great reward to anyone who can make them appear. Anancy Spiderman sees his opportunity, and goes to ask Sun-Spirit to make the palm trees. Sun-Spirit is succinct: ``My work makes other works work. And other works make my work also work.'' He sends Anancy off to plead with Water-Spirit, Earth-Spirit, and Air-Spirit; each requires the others. Anancy isn't happy about sharing the reward, but figures he can get out of it later. The king rewards them all with a banquet. The rich illustrations in acrylic, pencil, and washes use kente-cloth patterns and areas bleached or misted over to great effect. The figure of Anancy himself is done with a wonderful conceit: His spidery aspects are hinted at by his long legs, arms, and flying robes, and multiple eyes are suggested by sunglasses, round glasses, and reading glasses worn all at once. Berry (Don't Leave an Elephant to Go and Chase a Bird, 1996, etc.) uses a lovely West Indian lilt that sometimes lapses—``Earth-Spirit looked like a beautifully rounded pile of black, brown, and white diamonds''—but otherwise fully enlists readers with its rhythm and repetition. A rollicking, original read-aloud. (Picture book/folklore. 5-9)

Pub Date: Dec. 1, 1997

ISBN: 0-689-81060-1

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1997

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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