THE BOAT OF MANY ROOMS

The story of Noah, told in episodic verse. Lewis (Black Swan/White Crow, 1995, etc.) takes a turn at biblical, ballad-like poetry; paired with its own illustration, each poem follows a different rhyme scheme (the many rooms of the title), a novel idea for a collection that tells a single story, but one that fragments the overall tale rather than uniting its many facets. The drama of the story is supplanted by the form, which diverts attention away from actions and events. In the same vein as Birds, Beasts and Fishes (1991), Cartwright's highly stylized oil paintings depict a white-bearded Noah amidst crowds of smiling animals on each mural- like page. (Picture book. 6-10)

Pub Date: Feb. 1, 1997

ISBN: 0-689-80118-1

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1996

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ONE CANDLE

This Hanukkah story about a family’s ritual reenactment of Grandma and great-aunt Rose’s Hanukkah spent at Buchenwald many years ago during the “bad time” propounds a disturbing view of the Holocaust. Grandma and great-aunt Rose demonstrate to the family how they hollowed out a potato stolen from the kitchen at the camp, filled it with a dab of stolen margarine, made a wick from a piece of thread, and lit a candle to commemorate the holiday. Popp’s (Sister Anne’s Hands, 1998) realistic drawings of the celebration are soft and subtly colored, reflecting the family’s warmth and closeness, while the drawings of the camp are ghostly in sepia tones. Afterwards the whole family steps outside to look at the Hanukkah lights through the window and drink a toast to life. The disturbing piece is Grandpa’s comment that “The Germans didn’t like a lot of people. It wasn’t only the Jews.” For many, this is a deeply offensive statement, implying as it does that the Jews were not singled out by Hitler and the Germans for the very specific goal of total destruction. Even in the context of human history, the single-mindedness, efficiency, and technological resources put to the task make Hitler’s war against the Jews exceptional. Grandpa’s comment would be problematic in any event, but out of the mouth of the husband of a Holocaust survivor it is troubling indeed. (Picture book. 6-8)

Pub Date: Oct. 1, 2002

ISBN: 0-060-28115-4

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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A glorious choice for reading aloud.

NOAH'S ARK

Pinkney, at his grandest, matches a poetically phrased text—the Ark “rose over their heads. It rose over the treetops. The strong wooden beams embraced the clouds”—with sweeping spreads of dappled paintings that capture brilliantly the hugeness of the Ark a-building, the wonder of so many creatures gathering peaceably to crowd aboard, and the closing glory of a planet festooned with rainbows as signs of God’s promise to the Charlton Heston–like Noah.

Of the making of Noahs there seems to be no end, but while other recent versions of the tale put Noah’s family on center stage, or feature realistically depicted animals or humorous touches, this brings out the vast scale of the flood: “The water rose over cities and towns. Whales swam down ruined streets. Schools of fish darted through empty windows.” But turn the page and there inside “everyone was safe.” Filling his pages with lovely earth tones, Pinkney’s occasional use of color stands out all the more: a baboon’s multicolored nose, a bright blue robe, a bright red apple, or a bird’s brilliant plumage. And then there’s all that water.

A glorious choice for reading aloud. (Picture book/nonfiction. 7-9)

Pub Date: Oct. 1, 2002

ISBN: 978-1-58717-201-4

Page Count: 40

Publisher: SeaStar/North-South

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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