The attempt to present science in a humorous way is a well-meaning one, but the effect seems rather lame for today's...

FACE BUG

For kids who love bugs! Gruesome but fascinating photomicrographs of 14 different bugs are the focus of this unusual science book that combines poetry, line drawings and scientific facts to bring bugs alive for curious children.

The bad puns flow relentlessly as a collection of small bugs, illustrated in rather dated-looking black-and-white line, visits the Face Bug Museum, where they learn to drill like a carpenter bee, experience the stinkbug’s stench, sip on nectar at the snack bar and measure the speed of the green darner dragonfly. The insects on display at the “museum”—the hickory horned devil, goldenrod stowaway moth, praying mantis and other exotica—are portrayed in superb, full-color micrographs by renowned nature photographer Siskind. The large close-up of the “Clydesdale of all flies,” the American horsefly, is particularly impressive. Humorous poems by U.S. Poet Laureate Lewis describe each insect; of the dogday harvestfly cicada, he writes, “What?! Two faces / On this mutt? / Creepy. Never / Mind his butt.” Four pages of backmatter give the insects the opportunity to “narrate” a little more information about themselves. The insect jokes keep going all the way to the author bios, so determined is the book to remain light and accessible.

The attempt to present science in a humorous way is a well-meaning one, but the effect seems rather lame for today's visually sophisticated kids and might work better as an app than a book. (Picture book/poetry. 6-10)

Pub Date: March 1, 2013

ISBN: 978-1-59078-925-4

Page Count: 36

Publisher: Wordsong/Boyds Mills

Review Posted Online: Jan. 16, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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Readers who (inexplicably) find David Lawrence’s Pickle and Penguin (2004) just too weird may settle in more comfortably...

LOST AND FOUND

A lad finds a penguin on his doorstep and resolutely sets out to return it in this briefly told import. 

Eventually, he ends up rowing it all the way back to Antarctica, braving waves and storms, filling in the time by telling it stories. But then, feeling lonely after he drops his silent charge off, he belatedly realizes that it was probably lonely too, and turns back to find it. Seeing Jeffers’s small, distant figures in wide, simply brushed land- and sea-scapes, young viewers will probably cotton to the penguin’s feelings before the boy himself does—but all’s well that ends well, and the reunited companions are last seen adrift together in the wide blue sea. 

Readers who (inexplicably) find David Lawrence’s Pickle and Penguin (2004) just too weird may settle in more comfortably with this—slightly—less offbeat friendship tale. (Picture book. 6-8)

Pub Date: Jan. 1, 2006

ISBN: 0-399-24503-0

Page Count: 32

Publisher: Philomel

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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