LAMENTATIONS OF THE FATHER

ESSAYS

Another hilarious collection from essayist/humorist Frazier (Gone to New York: Adventures in the City, 2005, etc.).

A longtime New Yorker—and prolific contributor to the magazine of the same name—Frazier has previously mined the city for comic gold to share stories about his encounters with strangers and interactions with his wife and children, all filtered through his self-deprecating voice. He now lives in New Jersey, where his dry humor is used to great effect, whether he’s recounting his duty as household dishwasher or noting details about the FBI poster for Osama bin Laden at the post office. This book takes its title from Frazier’s 1997 essay included in the Atlantic Monthly’s 150th anniversary collection of best writing. Other pieces are based on recognizable current events and pop-culture icons, such as “My Wife Liz,” full of details about the author’s fictional marriage to Elizabeth Taylor: “Some people say that there should be certain minimum standards you have to meet in order to qualify as an ex-husband of Elizabeth Taylor’s, and that I (and a few other guys) don’t make the grade. Utter garbage!” Most of the 30-odd pieces are only a few pages long, offering up perfect snapshots of absurdities and imagined vignettes. The narrator of “Caught”—the coyote who was trapped for two days in Central Park in 2006—takes a Holden Caulfield approach to his new-found recognition: “If you’re really interested in hearing all this, you probably first want to know where I was whelped, and what my parents’ dumb burrow was like, and how they started me out hunting field mice, and all the Call of the Wild kind of crap, but I’d really rather not go into it, if that’s all right with you.” Frazier is a masterful comedian whose seeming lack of overconfidence not only endears him to readers but also invites identification, particularly in humiliating situations. His sense of humor is so uncanny and surprising it’s nearly impossible not to be charmed.

Highly entertaining.

Pub Date: May 6, 2008

ISBN: 978-0-374-28162-5

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2008

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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