There have been many great satires of the domestic world (Fay Weldon comes to mind), but Frazier’s Cursing Mommy seems...

THE CURSING MOMMY'S BOOK OF DAYS

Nonfiction writer Frazier (Travels in Siberia, 2010, etc.) delivers his first novel, an uneven comedy of domestic disasters.

Inspired by his “Shouts & Murmurs” character from the New Yorker, the Cursing Mommy, in page-length doses, is hilarious. She skitters from one impossibly ruinous situation to the next, ending the day with a boozy balm under the covers. Her daily blog offers advice and meditation techniques for other harried ladies, though the Cursing Mommy, an odd pastiche of foulmouthed comic and Martha Stewart, ends most posts either furious or defeated by the treasures life flings her way. The question is whether Frazier can move his Mommy from the compact page to the full-length narrative. Alas, Cursing Mommy’s shtick grows old, and there is little plot to prop her up. Husband Larry is foundering at work, but Cursing Mommy might be able to smooth the problem with her questionable charm, as the Boss is besotted by her violent outbursts. Sons Kyle (who swoons and rashes up at school) and Trevor (heavily medicated to prevent either sociopathy or pranking) bring little joy to Cursing Mommy, as most of her weekends are spent “volunteering” for school building repairs or bringing Trevor to his therapist. She takes seriously the self-help advice of modern-day sage M. Foler Tuohy, a composer of opaque bons mots. But when the red-faced guru runs off with her best friend, she curses the day she got her book group to switch from anti-Bush biographies to Tuohy’s goofy inspirationals. There is some closure to the year’s travails, though one suspects the Cursing Mommy is simply cursed, unable to escape the Promethean-like tragedies of domestic life.

There have been many great satires of the domestic world (Fay Weldon comes to mind), but Frazier’s Cursing Mommy seems trapped within her own joke.

Pub Date: Oct. 2, 2012

ISBN: 978-0-374-13318-4

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Bestselling Hannah (True Colors, 2009, etc.) sabotages a worthy effort with an overly neat resolution.

WINTER GARDEN

A Russian refugee’s terrible secret overshadows her family life.

Meredith, heir apparent to her family’s thriving Washington State apple enterprises, and Nina, a globetrotting photojournalist, grew up feeling marginalized by their mother. Anya saw her daughters as merely incidental to her grateful love for their father Evan, who rescued her from a German prison camp. The girls know neither their mother’s true age, nor the answers to several other mysteries: her color-blindness, her habit of hoarding food despite the family’s prosperity and the significance of her “winter garden” with its odd Cyrillic-inscribed columns. The only thawing in Anya’s mien occurs when she relates a fairy tale about a peasant girl who meets a prince and their struggles to live happily ever after during the reign of a tyrannical Black Knight. After Evan dies, the family comes unraveled: Anya shows signs of dementia; Nina and Meredith feud over whether to move Mom from her beloved dacha-style home, named Belye Nochi after the summer “white nights” of her native Leningrad (St. Petersburg). Anya, now elderly but of preternaturally youthful appearance—her white hair has been that way as long as the girls can remember—keeps babbling about leather belts boiled for soup, furniture broken up for firewood and other oddities. Prompted by her daughters’ snooping and a few vodka-driven dinners, she grudgingly divulges her story. She is not Anya, but Vera, sole survivor of a Russian family; her father, grandmother, mother, sister, husband and two children were all lost either to Stalin’s terror or during the German army’s siege of Leningrad. Anya’s chronicle of the 900-day siege, during which more than half a million civilians perished from hunger and cold, imparts new gravitas to the novel, easily overwhelming her daughters’ more conventional “issues.” The effect, however, is all but vitiated by a manipulative and contrived ending.

Bestselling Hannah (True Colors, 2009, etc.) sabotages a worthy effort with an overly neat resolution.

Pub Date: Feb. 2, 2010

ISBN: 978-0-312-36412-0

Page Count: 400

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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