If this isn’t the Great American Novel, it's a mighty attempt at achieving one.

THE LOVE SONGS OF W.E.B. DU BOIS

A sprawling, ambitious debut novel that is as impassioned in promoting Black women’s autonomy as it is insistent on acknowledging our common humanity.

Ailey Pearl Garfield, the protagonist of this epochal saga, is a compelling mélange of intellectual curiosity, scathing observation, and volatile emotion. Though her grandmother may have preferred that she join the parade of medical doctors in their family, Ailey is destined to become a historian. Her journey toward that goal, fraught with heartache, upheaval, and conflict from her childhood through adolescence and collegiate years, is interwoven with the results of her inquiry into her family history. That history is deeply rooted in the Georgia town of Chicasetta, where Ailey’s Black ancestors were enslaved and exploited by a “White Man with Strange Eyes” named Samuel Pinchard, who not only brutalized and demeaned his slaves, but also haphazardly procreated with them over the decades before the Civil War. The “songs” interspersed throughout the book, chronicling in vivid, sometimes-graphic detail the antebellum lives of Ailey’s forbears, are bridges linking Ailey’s own coming-of-age travails in what is referred to only as the City. Precocious, outspoken, and sensitive, Ailey often tests the patience of the grown-ups in her life, especially her parents, Geoff and Belle, whose own arduous passage to love and marriage through the 1950s and '60s is among the many subplots crowding this capacious, time-traversing narrative. The story always swerves back to Chicasetta, where Ailey spends her summers, and her encounters with friends and relations, the most notable of whom is her beloved Uncle Root, a retired professor at a historically Black college where he’d first made the acquaintance of the novel’s eponymous scholar/activist. In her first novel, Jeffers, a celebrated poet, manages the difficult task of blending the sweeping with the intimate, and, as in most big books, she risks stress-testing some of her own narrative threads. Still, the sturdiest of those threads can throb with haunting poignancy, as in the account of Ailey’s promising-but-troubled sister, Lydia, which can stand alone as a masterful deconstruction of addiction’s origins and outcomes.

If this isn’t the Great American Novel, it's a mighty attempt at achieving one.

Pub Date: Aug. 24, 2021

ISBN: 978-0-06-294-293-7

Page Count: 816

Publisher: Harper/HarperCollins

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

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A whimsical fantasy about learning what’s important in life.

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THE MIDNIGHT LIBRARY

An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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A compelling portrait of a marriage gone desperately sour.

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THE MYSTERY OF MRS. CHRISTIE

In December 1926, mystery writer Agatha Christie really did disappear for 11 days. Was it a hoax? Or did her husband resort to foul play?

When Agatha meets Archie on a dance floor in 1912, the obscure yet handsome pilot quickly sweeps her off her feet with his daring. Archie seems smitten with her. Defying her family’s expectations, Agatha consents to marry Archie rather than her intended, the reliable yet boring Reggie Lucy. Although the war keeps them apart, straining their early marriage, Agatha finds meaningful work as a nurse and dispensary assistant, jobs that teach her a lot about poisons, knowledge that helps shape her early short stories and novels. While Agatha’s career flourishes after the war, Archie suffers setback after setback. Determined to keep her man happy, Agatha finds herself cooking elaborate meals, squelching her natural affections for their daughter (after all, Archie must always feel like the most important person in her life), and downplaying her own troubles, including her grief over her mother's death. Nonetheless, Archie grows increasingly morose. In fact, he is away from home the day Agatha disappears. By the time Detective Chief Constable Kenward arrives, Agatha has already been missing for a day. After discovering—and burning—a mysterious letter from Agatha, Archie is less than eager to help the police. His reluctance and arrogance work against him, and soon the police, the newspapers, the Christies’ staff, and even his daughter’s classmates suspect him of harming his wife. Benedict concocts a worthy mystery of her own, as chapters alternate between Archie’s negotiation of the investigation and Agatha’s recounting of their relationship. She keeps the reader guessing: Which narrator is reliable? Who is the real villain?

A compelling portrait of a marriage gone desperately sour.

Pub Date: Dec. 29, 2020

ISBN: 978-1-4926-8272-1

Page Count: 288

Publisher: Sourcebooks Landmark

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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