Le Tellier examines the possibilities of love after 40, and he deals with this issue with patience, understanding and...

ENOUGH ABOUT LOVE

Two love triangles (equal one love hexagon?) that reveal much—or at least enough—about love.

The first complication d’amour involves Thomas Le Gall, a psychiatrist in Paris. He waits for Anna Stein, one of his patients for 12 years and now finally getting ready to end her therapy. Toward the end of this session, she impulsively blurts out that she’s recently met Yves Janvier, a writer whom she finds intriguing. Le Gall duly notes this information and then a few hours later is struck by an erotic thunderbolt of his own in the form of Louise Blum, a lawyer whom he meets at a party and who could be Anna’s “blond twin.” Louise is married to a prominent scientist, Romain Vidal, whom she’s beginning to find lackluster and boring, while Anna is married to Stan, a prominent ophthalmologist. And while both family situations are complicated by children, amatory instincts begin to overtake the better judgment of the adults. Anna and Yves begin an affair, as do Thomas and Louise. French author Le Tellier occasionally and cleverly crosses the threads of his dual plot—e.g., by having Anna and Louise meet each other accidentally while shopping for clothes. And of course Anna makes her developing relationship with Yves (and deteriorating relationship with Romain) part of her confessional sessions with Le Gall. Tellingly, at one point she says, “ 'if I stay with Yves, I’ll have the life I’m dreaming of,’ ” which Le Gall repeats as, “ 'The life you’re dreaming of. You’re dreaming.’ ” Yves writes a short book based on his liaison with Anna Stein (Forty Memories of Anna Stein), which Le Tellier incorporates as part of his novel. Meanwhile, Romain sets up an appointment with Le Gall under an assumed name and uses this occasion to let the psychiatrist know that Romain is not in the dark about the affair Le Gall is engaged in with his wife.

Le Tellier examines the possibilities of love after 40, and he deals with this issue with patience, understanding and bemusement.

Pub Date: Feb. 8, 2011

ISBN: 978-1-59051-399-6

Page Count: 240

Publisher: Other Press

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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