A wickedly sharp first novel from an author to watch.

PRECIOUS YOU

A Gen X magazine editor-in-chief and her new millennial intern play an escalating game of cat and mouse in former journalist Monks Takhar’s debut psychological thriller.

At 41, London magazine editor Katherine Ross already feels like a walking cliché. She and her longtime partner Iain, a failed screenwriter, used to be the cool kids, complete with an open relationship and a cavalier attitude to drugs and drink. Now Katherine feels old and out of touch, reaching for a life that seems to have gotten away from her. After 20 years with her magazine, Leadership, and a bout of depression that caused a blip in her upward trajectory (and seems to be trying to take her over again), she’s trying to get back into the swing of things. Enter Lily Lunt, a beautiful, vibrant, and privileged 24-year-old upstart who seems to have weaseled her way into an internship via her aunt Gemma—who recently bought Leadership. Lily is everything Katherine used to be: “I couldn’t take my eyes off you. You were like looking into a mirror, or more like a window into a different time in my life, not long past, but just out of reach.” The lonely Katherine’s desire for mutual understanding, maybe even friendship, with Lily is clouded by instinctive mistrust. Katherine soon recognizes that Lily’s wide-eyed innocence is a mask, but what is she hiding? Lily wastes no time sidelining and embarrassing Katherine at Leadership, and before Katherine knows it, Lily has also wormed her way into Katherine’s personal life, including, to her horror, her relationship with Iain. Katherine and Lily’s tense and twisted push and pull unfolds through sinuous, overlapping first-person narratives—addressed to each other—that the author carefully shapes to highlight the characters' often divergent takes on shared events. Monks Takhar tackles workplace dynamics, aging, feminism, mental illness, and the hotly debated generation gap, all within the framework of a tightly plotted revenge thriller that reads a bit like a less soapy 21st-century Single White Female. Readers won’t be able to tear their eyes away as this runaway train inevitably derails.

A wickedly sharp first novel from an author to watch.

Pub Date: March 10, 2020

ISBN: 978-1-984855-96-1

Page Count: 336

Publisher: Random House

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Fans of smart horror will sink their teeth into this one.

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THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES

Things are about to get bloody for a group of Charleston housewives.

In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.

Fans of smart horror will sink their teeth into this one.

Pub Date: April 7, 2020

ISBN: 978-1-68369-143-3

Page Count: 400

Publisher: Quirk Books

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Amateurish, with a twist savvy readers will see coming from a mile away.

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THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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