by Harry Behn & illustrated by Greg Couch ‧ RELEASE DATE: Aug. 1, 2003
“Tonight is the night / when dead leaves fly / like witches on switches / across the sky . . . ” Couch illustrates a brief rhyme from Behn’s first collection of poetry for children with shadowy, atmospheric views of a trio of costumed trick-or-treaters, who grow increasingly spooked as ghouls, witches, and eerily glowing jack-o-lanterns rise about them. Young audiences will respond with delighted shivers as the three fetch up in a misty graveyard, where menacing figures beckon—but turn out to be welcoming the newcomers to a party. Leers and grimaces turn to smiles, and after a bit of wild dancing, the relieved trio vanishes into the fog, waving goodbye. A surefire crowd-pleaser, with just the right reading on the fright scale for sharing with more suggestible audiences. (Picture book. 5-7)
Pub Date: Aug. 1, 2003
ISBN: 0-7358-1609-3
Page Count: 32
Publisher: NorthSouth
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2003
Categories: CHILDREN'S POETRY | CHILDREN'S HOLIDAYS & CELEBRATIONS
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More by Harry Behn
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by Harry Behn & illustrated by James Endicott
by Sheila Hamanaka ‧ RELEASE DATE: Aug. 1, 1994
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1994
Categories: CHILDREN'S POETRY
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More by Sheila Hamanaka
BOOK REVIEW
by Sheila Hamanaka & illustrated by Sheila Hamanaka
BOOK REVIEW
by Larry La Prise & Charles P. Macak & Taftt Baker & illustrated by Sheila Hamanaka
BOOK REVIEW
by Sheila Hamanaka & illustrated by Sheila Hamanaka
by Joyce Wan ; illustrated by Joyce Wan ‧ RELEASE DATE: June 28, 2016
Young children won't understand the metaphors but will appreciate the sentiment made clear by the repeated, Halloween-themed declarations of love in Wan's latest board book.
Each of the seven spreads presents an endearment illustrated by an object drawn with heavy outlines and just enough detail to invoke its essential characteristics. Lest it become too maudlin, between the “sugary, sweet candy corn” and a “purr-fect, cuddly kitty” is a “wild, messy monster.” Wan manages to make each drawing expressive and distinctive while relying on just a few shapes—crescents or circles for eyes, dots or ovals accenting cheeks. Although each spread stands alone, there are quiet connections. For example, the orange of the pumpkin is repeated in the candy corn, and the purple that adorns kitty's hat and bow becomes the prominent color on the next spread, setting off the friendly white ghost nicely. The same purple is used for the spider's body on the next to last spread. Subtle, shadowed backgrounds repeat the patterns found elsewhere in the book. For example, the background of the page with the kitty includes pumpkins, hearts, and hats and bows like the ones kitty is wearing.
While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book. 6 mos.-3)Pub Date: June 28, 2016
ISBN: 978-0-545-88092-3
Page Count: 14
Publisher: Cartwheel/Scholastic
Review Posted Online: May 14, 2016
Kirkus Reviews Issue: July 1, 2016
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS
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More by Sue Lowell Gallion
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by Sue Lowell Gallion ; illustrated by Joyce Wan
BOOK REVIEW
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