This pleasantly mild hero’s journey is fabulous on the eye, but the narrative speaks more to nostalgic adults than children.

THIS STORY IS FOR YOU

Two children quest while pondering the nature of friendship.

Pizzoli literally frames his story by placing a pair of children onstage, drawing and constructing props together. These pages are steeped in retro aesthetic, all heavily bordered by decorated columns and curtains in persimmon and gold. Likewise the children, a white boy and young girl of color, look nicely vintage too, with large, rounded heads reminiscent of classic characters such as Crockett Johnson’s Harold. After finding magical, Day-Glo orange stars, they exit the constraining stage, at which point their journey turns imaginary, and the illustrations deftly transition to expansive full-bleed spreads. Well-placed orange highlights, such as a luminous boat, guide the children through various adventures, and though these expeditions are undertaken separately, the friends are reassured that when the stars (both metaphorical and of the Day-Glo variety) lead them back together “after such a long, long time,” there will be “a big, long hug.” This narrative that muses about individuality, accepting others, and remaining close to friends is soothing and poetic, with words and phrases used repetitiously throughout. But the formality also feels incongruent with the playful visuals and approaches overt sentimentality: “I’ll turn toward the light, and wave in the darkness to say that I know you.”

This pleasantly mild hero’s journey is fabulous on the eye, but the narrative speaks more to nostalgic adults than children. (Picture book. 3-7)

Pub Date: April 3, 2018

ISBN: 978-1-4847-5030-8

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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Halloween is used merely as a backdrop; better holiday titles for young readers are available.

THE LITTLE GHOST WHO WAS A QUILT

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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