A polished work, from the words to the finish on the race cars.

NUMBER ONE SAM

There’s more than one way to be the big dog in the little bestiary.

Sam is top dog when it comes to zipping his red roadster around the track. “He was number one in speed. / He was number one at turns. // And he was number one at finishing races in the number-one spot.” Like Sam, Geisel winner Pizzoli’s artwork is crackerjack, too, with pure cupcake colors, French curves, blocks of high-octane negative space and personable animal pals. Then comes the day that Sam doesn’t cross the finish line first. Fortunately, Sam proves not to be a poor loser, but his self-confidence sure takes a shellacking. He’s a wreck, figuratively. When the next big race comes up, he even forgets to wish his friend Maggie good luck. After a slow start, Sam takes the lead. “Sam would be number one again!” Whoa! Five yellow, bespectacled chicks are on the racetrack. Sam hits the brakes and gathers up the peepsters as his friends steam by to the finish line. No. 1 takes on a whole new meaning. Pizzoli’s story is a simple class act. Do the right thing—you can’t lose, ever. And most of the time, the right thing is no great philosophical conundrum but as clear as the checkered flag.

A polished work, from the words to the finish on the race cars. (Picture book. 3-5)

Pub Date: May 13, 2014

ISBN: 978-142317111-9

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: Feb. 12, 2014

Kirkus Reviews Issue: March 1, 2014

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Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

OLIVER AND HIS EGG

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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Skip this well-meaning but poorly executed celebration.

I LOVE DADDY EVERY DAY

Children point out the things they love about their fathers.

“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.

Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-12305-8

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 1, 2020

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