A portrait of a young man adrift in a world where meaning has been swept away.

LAST SUMMER IN THE CITY

When nothing means anything, what do you grab onto to save yourself?

Drifting aimlessly in a sea of alcohol, coffee, women, and cigarettes, Milanese transplant Leo Gazzara floats through life in Rome, buoyed by his collection of secondhand classic books and a loose network of friends (some similarly disaffected, some seeming to have goals or, at least, cash). Leo’s attempts to create a more structured life—usually involving less alcohol and more employment—occur in waves and begin to take on more urgency when he encounters the troubled but alluring Arianna at a party at the home of more successful (and more settled) friends. Leo and a coasting soul mate, Graziano, mull over the causes of their estrangement from routine life and attempt a concerted effort to rescue themselves from slipping away entirely into adolce vita punctuated by drives to the sea or revivifying showers. Leo’s own efforts to recognize and connect with a meaningful existence rely in no small part on what may be the enduring love of his life: books. Allusions to Proust, James Fenimore Cooper, and other masters echo throughout Calligarich’s short but dense novel. Andre Aciman’s epic foreword to this first American edition provides biographical and bibliographic context for Calligarich’s novel, which was widely rejected before finally being published to acclaim in Italy in 1973 and, though falling in and out of print, developed a cultlike following over the years. The account of a lost generation in Rome in the early 1970s (possibly the children of the children of Hemingway’s lost generation) carries the weight of both family history and generational saga.

A portrait of a young man adrift in a world where meaning has been swept away.

Pub Date: Aug. 10, 2021

ISBN: 978-0-374-60015-0

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: June 15, 2021

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Franzen’s intensely absorbing novel is amusing, excruciating, and at times unexpectedly uplifting—in a word, exquisite.

CROSSROADS

This first novel in an ambitious trilogy tracks a suburban Chicago family in a time of personal and societal turmoil.

It says a lot that, at almost 600 pages, Franzen’s latest novel, set amid the waning years of the Vietnam War, leaves you wanting more. That it does so is also very good news: It’s the first in what promises to be a sprawling trilogy, continuing to the present day, which the author has titled A Key to All Mythologies in what is presumably a wink at its far-from-modest ambitions—yes, à la Middlemarch. That reference is classic Franzen, who imbues his books with big ideas, in this case about responsibility to family, self, God, country, and one’s fellow man, among other matters, all the while digging deep into his characters’ emotions, experiences, desires, and doubts in a way that will please readers seeking to connect to books heart-first. Here, the story follows two generations of the Hildebrandt family, headed by Russ, the associate pastor of a church in the fictional town of New Prospect, Illinois, who, when we first meet him in the lead-up to Christmas 1971, is nursing a crush on a recently widowed parishioner and a grudge against the groovily charismatic leader of the church’s popular youth group, Crossroads, in which three of Russ’ four children are variously involved. Russ’ wife, Marion, who has gained weight over the years and lost her pre-maternal intensity and with it her husband’s sexual interest, is nursing a few secret preoccupations of her own, as are the couple’s three oldest children, Clem, Becky, and Perry. Each of the five characters, among whose perspectives Franzen adroitly toggles, is struggling with matters of morality and integrity, privilege and purpose, driven in part by the dueling desires for independence and connection. Their internal battles—to fight in an unjust war or unjustly let others fight in your stead, to fight their way out of a marriage or fight to stay in it, to fight for sanity or surrender to madness, to fight to define themselves and determine their paths or to cede that control to others, to name a few—are set against the backdrop of an era in which “love” is everywhere but empathy is in short supply, where hugs are liberally dispensed but real connection’s harder to come by.

Franzen’s intensely absorbing novel is amusing, excruciating, and at times unexpectedly uplifting—in a word, exquisite.

Pub Date: Oct. 5, 2021

ISBN: 978-0-374-18117-8

Page Count: 592

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Funny, sad, astute, occasionally creepy, and slyly irresistible.

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APPLES NEVER FALL

Australian novelist Moriarty combines domestic realism and noirish mystery in this story about the events surrounding a 69-year-old Sydney woman’s disappearance.

Joy and Stan Delaney met as champion tennis players more than 50 years ago and ran a well-regarded tennis academy until their recent retirement. Their long, complicated marriage has been filled with perhaps as much passion for the game of tennis as for each other or their children. When Joy disappears on Feb. 14, 2020 (note the date), the last text she sends to her now-grown kids—bohemian Amy, passive Logan, flashy Troy, and migraine-suffering Brooke—is too garbled by autocorrect to decipher and stubborn Stan refuses to accept that there might be a problem. But days pass and Joy remains missing and uncharacteristically silent. As worrisome details come to light, the police become involved. The structure follows the pattern of Big Little Lies (2014) by setting up a mystery and then jumping months into the past to unravel it. Here, Moriarty returns to the day a stranger named Savannah turned up bleeding on the Delaneys’ doorstep and Joy welcomed her to stay for an extended visit. Who is Savannah? Whether she’s innocent, scamming, or something else remains unclear on many levels. Moriarty is a master of ambiguity and also of the small, telling detail like a tossed tennis racket or the repeated appearance of apple crumble. Starting with the abandoned bike that's found by a passing motorist on the first page, the evidence that accumulates around what happened to Joy constantly challenges the reader both to notice which minor details (and characters) matter and to distinguish between red herrings and buried clues. The ultimate reveal is satisfying, if troubling. But Moriarty’s main focus, which she approaches from countless familiar and unexpected angles, is the mystery of family and what it means to be a parent, child, or sibling in the Delaney family—or in any family, for that matter.

Funny, sad, astute, occasionally creepy, and slyly irresistible.

Pub Date: Sept. 14, 2021

ISBN: 978-1-250-22025-7

Page Count: 480

Publisher: Henry Holt

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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